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Topic: Liszt at Competitions?  (Read 2176 times)

Offline rubinsteinmad

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Liszt at Competitions?
on: August 19, 2015, 02:58:40 AM
Hi,

I'm a Christian, but I do not know all the unwritten rules of morality.

Would it be a sin; would it be immoral if I played Liszt's Benediction de Dieu dans la Solitude, in a competition? 

Offline ewalker1

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Re: Liszt at Competitions?
Reply #1 on: August 19, 2015, 12:48:19 PM
Why not?

I would normally say Liszt is great to play for competition and concert purposes

Offline rubinsteinmad

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Re: Liszt at Competitions?
Reply #2 on: August 19, 2015, 02:41:07 PM
Well, I've never seen someone play it at a big competition. They play Busoni, they play Kempff, but they just don't play this piece! So, I was wondering if devout Christians would find it akward, or even immoral, if I played this piece at a competition.

Offline chopinlover01

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Re: Liszt at Competitions?
Reply #3 on: August 21, 2015, 02:19:30 AM
If your religion is preventing you from playing good music at a public event, it's time for you to leave. Your classical piano talent obligates you to do so.
It's Liszt- the man wrote things specifically designed to show off. You'll likely be fine.

Offline starlady

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Re: Liszt at Competitions?
Reply #4 on: August 21, 2015, 04:55:35 AM
Liszt was a priest, after all! 

Offline pianoman1349

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Re: Liszt at Competitions?
Reply #5 on: August 22, 2015, 03:59:36 AM
Well, I've never seen someone play it at a big competition. They play Busoni, they play Kempff, but they just don't play this piece! So, I was wondering if devout Christians would find it akward, or even immoral, if I played this piece at a competition.

i have never heard of kempff being played at a major competition, unless you're referring to the kempff transcriptions.  This is of course assuming that we are referring to the same definition of major competition, e.g. Van Cliburn, Leeds, Cleveland, Honens ...etc.

Liszt's religous works, while very spiritual, are not sacred works per se, but rather personal musical expressions of his religious sentiments.  The same could be said about Messiaen's Vingt Regards.  As a competition piece, the benediction has a tendency to incite disagreement in the jury as to how to best interpret the music, due to the personal nature.  However, this is a masterwork of Liszt's piano output and can fit into any major competition program, when programmed and performed with intelligence and taste.
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Piano Street Magazine:
World of Piano Competitions – issue 2 2024

The World of Piano Competitions is a magazine initiated by PIANIST Magazine (Netherlands and Germany) and its Editor-in-Chief Eric Schoones. Here we get a rich insight into the world of international piano competitions through the eyes of its producers and participants. Read more
 

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