We are considering a purchase in the next 1-2 years.My budget, max, probably tops out at around $35k.
Thanks for the recs to start! I am very much in favour of Kawai as all my life I have pretty much loved every Kawai I have played. I enjoy Yamaha's too but only if they're not too light in the action or *too* bright. I also find Yamaha's a tad....uniform.I'm just not sure a Kawai grand, even used, is in my budget. I looked up the Shigeru grands and holy crap, LOL, $175k!!!I do realize maintenance, etc, will be additional. That's fine, we can afford that, and we tune our upright 3-4 times a year anyhow. The $35k I mention is what I can afford to pay in lumpsum cash in the next year for a piano (savings). Maintenance costs we've already budgeted outside that. I will trade in my Kawai upright if possible, not sure what it's worth though.
Have you guys seen the piano in all my recordings, I got that for 3k.
Wow that's a steal! I can't tell from the vid what kind of piano it is though. Where'd you luck out?
A site called "GetCheapStuff.com". LOL just kidding!!I got it from an old friend, it was sitting in his basement unused. I came over to his house and I was like "About that Kawai in the basement..." A few weeks later and $3000 later, it was in my house. So it's probably not very helpful. But, don't miss the fact that there could be an opportunity like this for you. Like right now my neighbor has an almost brand new piano her husband played, he died from cancer. But anyway, there's a brand new piano sitting there, I help her out a lot with work and such around the house and I'm sure she would basically give it to me if I asked. Don't get me wrong, there's nothing wrong with getting a piano from a store, you're basically guaranteed success that way. But just check around your neighborhood first.
So I've found a local restorer that has the following pianos listed that I am pretty tempted by:1982 5'10" Kawai Grand Model KG-2, Red Mahogany, $11,0001982 6'1" Yamaha Grand Model G3, Black Gloss, $13,0001892 6'2" Steinway Model "A", $25,0001911 6'2" Mason & Hamlin Model "AA", Black Satin, $20,000What does everyone think of this guy's asking prices and these pianos? Any obvious turkeys or ripoffs? It sounds like the prices are somewhat negotiable. I must admit being EXTREMELY tempted by the Kawai or Yamaha at those price points.I've emailed to ask to go take a look, but I don't want to fall in love with a piano that's not priced well.
You have to find The One, and when you do, your heart knows it!
I will definitely go play as much as I can!! I told my husband one has to fall in love with a piano.....kind of like a wedding dress, LMAO. You have to find The One, and when you do, your heart knows it!Unfortunately the place in town closed up shop (which I'm not shocked about, I have a hard time imagining our tiny town supporting a piano restoration business!) , but I did get a referral to a place in Montreal that has a LOT of models to choose from. They have 4 rebuilt Steinways, a Kawai KG2, a 6'8" Bechstein, 7' Bluthner, even a couple of Chickerings! Wow what variety. I will have to make time soon to make the trip but the selection is certainly fabulous!Prices seem fair too? The Steinways are $28k, Kawai $11k, Chickering $9-15k, the Bechstein and Bluthner are both $20k. I've heard good things about Bechstein/Bluthner but they are 7' pianos!! I guess we'll see how I feel playing them.
I wouldn't rule out any of those brands. I played a public performance at a Golf club years ago on a roughly 6ft Chickering, I liked it very much and they often sell for a bit less than some other brands around here. The Chickering as I recall it just played well, good action, decent tone. It was a nice piano. Some Bechsteins can be wonderful, very full sounding, not so sure about bright. But you are on the right track for certain with all those brands to try out.You must let us know how it goes along the way here !
Glad to here someone is considering new world antique wood and iron, and modern restoration craftsmen.There is a restorer near Georgetown KY that can beat those prices by about $5000, but he is at least $5000 in travel expense from Ontario. Yes, grands sound better from the side than the front. A special room with a hard wall 20-30' from the right side might help, but that is another $$$$$ accessory. One reason I've stuck with console pianos, and the 1982 Steinway 44 console was so dull from the keyboard, I bought a new Sohmer.
Amen to all of the above, " I Get It" and would probably feel the same way ! Happy searching !I don't know much about the GX, it could be made in China these days. Just sayin lol.
I *think* the GX's should still be made in Japan. I'd have to know for sure though - it's a dealbreaker for me!Boy, the local Kawai dealer wouldn't even give us any quotes over the phone.....he's all, 'come in and we'll find you something in your budget'. Darnit! OTOH I've read new pianos are priced at 300% of cost, so plenty of room to haggle.
If it's to be a total rebuild he should be able to make the action be what you want it to be. Period. It may end up with new Rener Action and hammers for all you know.What model is the Steinway ?
It's a 1910-1912 Steinway A. So while I loooove Steinways I'm a tad wondering if that's worth the $29k asking price, as I've heard better things about the B. Of course, depends how it plays!Right the now the asking on the Bechstein and Bluthner are only $19k, but of course if I ask for premium parts like Renner then the price might go up. So I guess there's a lot of factors. I'll have to look up some vids on Youtube so see how these two brands tend to sound, I've never seen one before.
I think you will like the A a lot but who am I to judge lol !!
Quite a trip !! Too much to respond to in detail, at least tonight.Sounds like the dampers are set too tight in the O. That should be a great piano if set up right.However: That RX6 sounds to be suffering from non use and voicing issues. I'll be curious to hear what your tuner has to say. You could have a winner there if my guess is right.I'm surprised at the thin sound in the C.Bechstein.
All I can say is look at all the pianos you have found in a week or two !
Anything is fixable one way or another, it's if you want to pay for it lol !!A little custom action work on that RX and I bet it could really please you in that sense. I can't speak for the tech and the tuning but suspect that piano needs some serious playing in before too much voicing takes place. It's been sitting stationary for almost a decade.
https://search.yahoo.com/yhs/search?p=Kawai+RX3+video&ei=UTF-8&hspart=mozilla&hsimp=yhs-001https://search.yahoo.com/yhs/search?p=Kawai+RX3+video&ei=UTF-8&hspart=mozilla&hsimp=yhs-001Well those weren't the links I wanted lol !!!
It's tough for me to say much of anything since most uprights don't satisfy my taste anyway. Be that in touch or sound or just something or other. I've played a couple of uprights that I sort of kind of liked. But none have much leg room and I'm tall so that's a negative right off the bat.
I can see that! Well I'm super short - 5 feet even. So leg room ain't a problem. I'm favouring the RX3 for the heavier action though.....the rebuilt vintage pianos all seem to be VERY easy to play. Which isn't a good thing when I'm practicing for exams and all the teacher pianos seem to be set really heavily, and I don't want to lose strength to handle a heavier piano. (I hear the one they use for exams isn't that great either! Yikes!)
When will a tech see it ?
I've heard a decade old or older 9' Kawai grand in concert. The top was up pointed at me, like it is supposed to be, in a 400 seat church in New Albany. It was pretty "mellow", not much ping that I like on Sohmer & Baldwin Acrosonic consoles, and the Steinway grand at Kentucky Center for the Arts. The Kawai bass had a little character, not being as monotone boring as Yamahas. I really preferred the sound of an old Baldwin 9' grand they had in a Luthren church in downtown Louisville. I'd be afraid of the cost of unsticking a lot of keys on that low use Kawai. Also mismatched sound voicing. Both of those are mysterious processes not within the capability of the average tuner around here. This is a flyover state more known for excellence of banjo and guitar players than excellent piano players or tuners. I've tried to get the hammer out of my 1941 Steinway to ease the pivot (compress the felt), no success so far. If instead the stickyness in the Kawai is in the key pivots, those come out pretty easily. Compressing felt is just putting an oversized rod or wedge through it to cram things down some, IMHO. Voicing can involve fluffing up felt with picks and steam or compressing it or even putting varnish on it to harden it. Voicing is a very 3 dimensional process. I detest pianos with mismatched sound between the bass, 2 string, and 3 string notes - probably because my Mother owned one, a 1948 Everett, I practiced on it for 8 years.
On most grands the keys shift with the left pedal. When you press the left pedal the whole rack of hammers shifts to the right. I assume this is what you saw.A couple of years back I read up on this stepped bass phenomenon ( tonal step), for the life of me my memory banks are not dredging up the info, mechanically speaking. There was something about double and triple wrappings of bass strings and transition to single wire etc etc. Bridges, string lengths. It wasn't as simple as: just " this". So you really need the techs view point, that's why I asked earlier when he was showing up .