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Argerich-Alink’s Piano Competitions Directory – 2025 Edition

In today’s crowded music competition landscape, it’s challenging for young musicians to discern which opportunities are truly worthwhile. The new 2025 edition of the Argerich-Alink Foundation’s comprehensive guide to piano competitions, provides valuable insights and inspiration for those competing or aspiring to compete, but also for anyone who just wants an updated overview of the global piano landscape. Read more

Topic: finally someone else takes a crack at the Kosenko concerto *mvmnt 1  (Read 1726 times)

Offline visitor

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absolutely love this this.  gushing w romanticism on a level Schumann could not even have imagined. Rachmaninoff gets a lot of glory, rightly so, but wish this was unearthed more, at least we now have the '12 upload and now this one.  
Kosenko is one of my absolute favorites, ever ever ever.
recommended listening and viewing.

*would love to get my hands on those orchestra and conductor's score parts

Offline goldentone

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*would love to get my hands on those orchestra and conductor's score parts

I offer free shipping and handling.
He was not of an age, but for all time.

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Offline casioman

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There is a section within this movement where the piano is solo for about 100 bars ( I followed it on Youtube ). I wonder if this is a record in terms of length. I haven't come across this in any other concerto. Might be worth starting a new thread.

Offline visitor

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There is a section within this movement where the piano is solo for about 100 bars ( I followed it on Youtube ). I wonder if this is a record in terms of length. I haven't come across this in any other concerto. Might be worth starting a new thread.
good catch about the only other ultra uber cool and long cadenzaish solo i know like that is the one from the Tchaikovsky concert fantasyfor piano and orchestra

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Piano Street Magazine:
The World of Piano Competitions – issue 2 2025

The World of Piano Competitions magazine is a well-established reference for anyone seeking a deeper understanding of today’s international classical piano landscape. In this new issue, Chopin stands at the centre — not merely as the focus of a competition, but as a celebration of a unique musical legacy. Read more
 

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