I agree. Some music conservatists/puritans/classical-music-supremaciststs think that no music should be heard on this world except for classical music. These people are usually people who've been studying classical music, exclusively, for a long time. They refuse to look at new ideas, proning them to failure. (Look at Chinese history; Western ideas were basically censored by the Manchu invaders, and therefore China became one of the least technologically advanced Far-Eastern countries by the 1900s. Also, the communists decided they would censor Western ideas, as well, and then all of the brightest Chinese minds immigrated to the West )Me, I kind of don't treat non-classical pianists/composers (i.e. Brian Crain, Paul de Sennivile, Olivier Touissant, Yiruma, etc.) as "great", when I actually stop to actually think, here is what I think. Music was probably made to create beauty, as well as preventing boredom. Many "great" classical compsoers of the 21st century write music that is plain ugly, defying that purpose of music. However, this Blue Note person creates beauty, unlike those modern "classical"compsoers.
You said the third was a whole new level
You try to make statements about "freeing your mind" and "I don't need theory"
I can hear some similar harmonies in that song than in Rachmaninoff's piano concertos, which I love.
If you want groundbreaking music, I like this.
YASS!!! ZIMERMAN IS THE BOMB AT THIS CONCERTO (AND MOST OTHER CONCERTOS)
OH YEAH ZIMERMAN!
I thought the point was the Rachmaninoff's piano concerto, not the player.Zimerman does nothing special. Actually I like much more this:Both are on Spotify if you want to compare them with better quality.
hehheee ... I've read some of your posts and it is becoming more difficult to believe that your are almost a teen or yet to become one very soon, as you claim. It's either you are pulling our leg or your are a reincarnate! Or was that someone else's post I read? OMG, another senior moment?
Hhaha, that is what I think all the time. Too sharp for a 7-grader
Do you mind telling me what the notes of your "hexatonic" scale are? I am starting to have trouble telling the difference between your "novel concept" and the blues scale. And the blues scale has been around since the beginning of jazz...& even if you have an interesting scale, it's best not to slavishly adhere to it when improvising. (A creative process is different from merely knowing the notes of a scale and manipulating it.)To give you some constructive feedback though, this one is a lot more complex than the previous ones; the technique you use to employ the "imitation" is commendable.
it's known as the jazz or jazz blues scale.. 6 notes.(hexa-tonic) in C it's C Eb F G Gb Bb--it's been around forever. The idea is perhaps not so novel but his improvisations are quite nice and I am sure as he matures they will acquire more form and direction. He's off to a fantastic start.
"never heard before" and he kept proclaiming how significant it was that he used this "hexatonic scale." Basically, I was asking "isn't this just the blues scale?"
To give you some constructive feedback though, this one is a lot more complex than the previous ones; the technique you use to employ the "imitation" is commendable.
everyone's solos were based off the blues scale, because for us it was kind of a "quick and easy way" to sound good.
I was asking at first because the OP said that his improvisations were in a style "never heard before" and he kept proclaiming how significant it was that he used this "hexatonic scale." Basically, I was asking "isn't this just the blues scale?"
to the OP this is the passage in question. "I'm an improvisation pianist and composer from Europe. I had over ten years break of active playing and now I learned the hexatonic blues scale and started to improvise with my own very unique style. I'm pretty sure that no one has ever done anything like this, so this is something new for the world!"...I think what Schumaniac is asking is what exactly makes your style something new for the whole world? What is the difference between your improvisations and everyone or anyone else's ?--pop melodies done in blues style have been done. Furthermore how did you determine that no one else is doing what you are doing? that's all he means.I improvise too... and there's more on the link below.like I said technically all who improvise are playing something never heard before... but that is not what makes the solo unique.
I'm very disapointed at the moment.
I don't use already composed tunes as you and many other do.
How? You are, after all, the world's best pianist.
so do you listen to any other pianists who improvise?
Yeah, musical genius. That's what I am. But when no one believes, it's pretty sad.
Whose melodies are they if not mine? Here are 80k members on the forum and no one can find anything from anywhere?
I got enough. If you don't get my points by reading my posts, it's sad and not my problem anymore.Takes too much effort writing here every day same things. If you like then like if not then dislike. I'm gonna post the songs here in the future but probably not that much writing.
...and I don't mean that as a challenge--just as a response to your request that I tell you of someone who improvises like you.. It's not like you--it's like me..
There is another piano forum on the internet with a composer's room where you post... BUT ONLY IF AND WHEN YOU DECIDE YOU WANT MORE FEEDBACK. You can't go in, like you did here, with guns blazing stating you are the World's Best. The responses from members would make these look tame.
It's like thousands of other blues players. Can't hear much difference.https://www.pianoworld.com/forum/ubbthreads.php/topics/2469743/Blue_Note_Pianist's_incredible.html
You have received no responses to your post, because it is posted in the wrong forum.It should not go into 'parties/tours and more' but into the independent forum "Composer's Lounge"From looking at your intro, leaving out World's Best' was a good idea of a beginning. I would recommend deleting 'no one has the same style'. Again, advice you can ignore. I don't care to argue this.
that's exactly my point--but it's still all mine and new to the world at the same time... Just because you are improvising doesn't mean it's new and different. so now that we understand each other I am asking you what specifically sets your improvisation apart? what are the specific musical elements you use that say I don't... what makes yours different? what makes yours better?now here's another of my improvisations more in the new age style..it has 4 tracks I improvised and recorded already and I am playing along on the electric piano sound. That's five tracks of improvisation running together... guess I could call myself a musical genius too? why not?tell me how yours differs from this.btw, I am only trying to get you to think a little deeper about what sets your music apart.
... and Projects --> Recordings. I don't think I'm composing, but maybe I make a thread there in the future.
Don't be stubborn about this if you want views. I saw exactly where you put it, and you will receive no comments. It is in the wrong forum and sub-thread. Again, no reply is needed: move it, repost or ignore the advice.
Sorry I don't want to talk with you anymore at all. I'm sorry.I'd also appreciate if you correct the quote you made on your post.Thanks everyone for the tips.
I put it there because I thought it's the right place. This is a kind of project and recording. Also what I think is that improvisation is not composing in the sense.But yeah, maybe you're right I could get more views there. Or maybe people would love to answer it's not a place for improvisations. Can't know.
Why not?dcstudio was telling the truth
Why not?dcstudio was telling the truth when she said that there were many people in the world who can improvise very well (and create their own melodies).
She could have done it in one sentence as you did if that was her point.From me will no one get any respect by telling he's 51 or a piano teacher.There are some personality types that I don't like to debate.
I see a lot of things from a different perspective. I didn't mean to be rude or nothing else.Just felt that the "conversation" is going nowhere with her, so I don't want to put too much effort to it.
Now I came on the biggest piano forum in the Internet and here are some teenagers telling me "shut up"?Where are the moderators of this forum??
I'm sorry, but moderators don't censor other people's posts, unless they are absolute hate speech (e.g. that there should be another Holocaust and that Hitler is life) you asked me "can you do an improvisation like me?" well that's interesting; I'm not trying to be hostile, but I think it's worth a try. Stay tuned; it may go on the Audition Room... and that's actually pretty funny @dcstudio but on my part, these conversations are still worth having...
you asked me "can you do an improvisation like me?" well that's interesting; I'm not trying to be hostile, but I think it's worth a try. Stay tuned; it may go on the Audition Room...
you asked me "can you do an improvisation like me?" well that's interesting; I'm not trying to be hostile, but I think it's worth a try. Stay tuned; it may go on the Audition Room... and that's actually pretty funny @dcstudio but on my part, these conversations are still worth having...
One per week, different kinds of. This is important.Make a thread the world's second best pianist.