Individual reactions, both to specific works and to the whole output, seem to vary more widely with Schumann than with almost any other composer. For me, for what it's worth, the Humoreske has always been the most rewarding, since there are more layers of meaning, more scope for different interpretative approaches coupled with Schumann's imagination at its least flagging, than in any of the other works. But nobody who can't feel in it the constant irony, self-commentary and occasional self-parody will ever 'get' the piece.