World premiere recording of Sorabji’s
SYMPHPONIC NOCTURNE
For those with a keen interest in unusual (or at least seldom heard) piano music, a most wonderful new CD is on the horizon. Belgian pianist Lukas Huisman (
https://www.lukashuisman.be/bio_e.html), in part for his master thesis, transcribed Kaikhosru Shapurji Sorabji’s late masterpiece
Symphonic Nocturne, written in 1977/78 (when the composer was well into his eighties), and subsequently played its world premiere performance in Ghent, Belgium in December 2015, repeating the performance in ‘s Hertogenbosch, The Netherlands in March 2016. Now a studio recording is becoming available: on Amazon
https://www.amazon.de/Symphonic-Nocturne-Huisman-Lukas/dp/B01K8VR8RS/ref=sr_1_1?ie=UTF8&qid=1474046672&sr=8-1&keywords=sorabji+huisman and on JPC
https://www.jpc.de/jpcng/classic/detail/-/art/symphonic-nocturne/hnum/4250044.
For those less familiar with the works of Sorabji beyond that he wrote very complex and very long pieces, this work might come as a surprise. For those who ‘know’ the composer only from a work as
Opus Clavecimbalisticum, it might also be much of a surprise. For while it is very much a work by this composer, it is also much different from (much) of ‘Opus’. Lukas Huisman himself compares the work with “a musical evening walk during which the composer invites us to wander around (…) between musical ideas, reminiscences, and associations. And not all nightly thoughts are peaceful or quiet ones…”. One might also call it a musical ‘stream of consciousness’, sounding quite improvisatory (which it very much is not!), during which one gets all kinds of (more or less fleeting, more or less elaborate, more or less peaceful) impressions. Immersing and floating along while paying all the attention this music deserves, one is in for quite a journey…
Lukas Huisman, who spent several years deciphering, editing and then rehearsing the piece (which, at well over two hours of uninterrupted music, is the longest single unbroken stretch of music Sorabji wrote), seems to have found his way to the very core of the music, conveying it with the utmost delicacy right up to the most ferocious upheavals this music contains. Having had the pleasure and privilege to attend the Dutch performance, I can say that the work as played on the CD is a bit more ‘in rilievo’, meaning that Huisman has made both the dynamical range a bit wider, but also gives more emphasised distinction between the more still and slow sections and the faster moving ones, resulting in a performance that is some 10 minutes longer than the live one. A most fascinating piece of music, most extraordinarily played. The only thing I do regret (but it is a small regret, from someone who always wants things perfect…) is that the instrument used is a Yamaha; a good piano, but this music deserves, indeed needs, an exceptional one, like a Bösendorfer Concert grand. But one cannot have ice cream and cookies every day, so I am quite satisfied as it is. The CD set is a most remarkable and laudable one, and must surely be one of the most exceptional first solo-CDs any pianist has ever made. Hopefully it will “only” the very first in many more equally delectable ones to come!
For those interested, my personal impressions from the Dutch performance are on both Huisman’s own site and the Sorabji Archive site (for the former:
https://www.lukashuisman.be/img/20160227e.pdf). A separate review from the same concert ca be found there too, in Dutch (
https://www.lukashuisman.be/img/20160227f.pdf; an English translation can be found here
https://www.jpc.de/jpcng/classic/detail/-/art/symphonic-nocturne/hnum/4250044.
Oh, and the 2CD set will be out on Piano Classics , roughly around 14 October, and the price is very friendly indeed!
all best,
gep