Thanks. I think the rh works best when it's impersonating a flute in the introduction. I'm not as initially convinced when it comes to mimicking the soprano (which enters at 0.52 and is intended to be more forward than the flute preface). When the texture thickens from around 1.50 I'm fine with the soprano sound - it seems to have more body, and I'm not sure if this is a consequence of greater / more overt harmonic back up.