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“The Sound Always Comes First” — Andrea Bonatta on Teaching Liszt

Why tone matters more than speed, why reading Goethe matters as much as practising octaves, and how a single insight can transform a performance. Italian pianist and scholar Andrea Bonatta has spent decades exploring the contradictions of Franz Liszt, from performer to man of faith, virtuoso to poet. Here, in conversation with Piano Street at Liszt Utrecht 2026, he shares his vision. Read more

Topic: Practice tips for this section  (Read 2872 times)

Offline svensknavi

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Practice tips for this section
on: July 29, 2017, 02:34:06 PM
Hello all. So I'm working on a piece, and I'm currently struggling with this little 2 bar section. In short, I guess I'd describe it as that as soon as the arpeggio starts, I'm having troubles maintaining the left hand's "effect". Can still get the rhythm at slow speeds, but it's losing the slightly staccato tone that I'm getting in the first measure, probably due to focusing on the legato in the right hand. Anyone have any tips for practicing this part? (And.. For pedaling, would would play this section without pedal, due to the nature of the left hand here? Thanks!

Offline brogers70

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Re: Practice tips for this section
Reply #1 on: July 29, 2017, 07:08:28 PM
Maybe try exaggerating the LH staccato; treat the eighths as a sixteenth and a sixteenth rest. Try that together with just a beat or two worth of the right hand legato sixteenths. Do it over and over until you get comfortable with the feeling of playing staccato in the LH and legato in the RH.

Offline mike_lang

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Re: Practice tips for this section
Reply #2 on: July 29, 2017, 07:52:48 PM
You really just need to have each hand under control to the degree that you monitor them at the same time. In the meanwhile, work slowly, gradually adding speed . . . but don't increase the speed beyond your ability to control the articulation.

Offline adodd81802

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Re: Practice tips for this section
Reply #3 on: July 31, 2017, 09:32:12 AM
Consider tapping it out on a table or something, not even the notes, just the rhythm so you feel is naturally

Slow continuous practice with bursts of trying it at speed is also good splitting between the 2 as you feel is necessary pushes you to 'get it'

Like riding a bike you can't practice the motion of one pedal than the other, you've got to throw it together get going, crash a couple of times, start again slowly and done - you get it.
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