(Though appropriate for a budding composer), she has Mozart singing in her ear - . I always concern about the 'spectacle effect' on the young one's development.. She is delightful, and definitely connected to a strong path, and obviously talented.. Totally agree, Quantum - "It is sad that this sort of activity is not encouraged more in a lot of piano studios. Many of the compositional devices she used are covered in beginning and intermediate theory courses."I do wonder what would have happened though, if the notes she picked were not so 'workable' (i.e. referring directly to the {Gminor} scale.. probably set up that way, noticing the coherence of the flats..) like say, B A# C G#…
I do wonder what would have happened though, if the notes she picked were not so 'workable' (i.e. referring directly to the {Gminor} scale.. probably set up that way, noticing the coherence of the flats..) like say, B A# C G#…
Yes, Ronde, but you translated the #'s into b's - not fair.. The 'look' was part of the puzzle.. you have a few years on her..ps.. being that i didn't remember the 'sound' in Dm as you say, but Gm which it is.. (i checked)But here is the tell, (unless I'm missing something) that she actually Changed the B natural to a Bflat! - .. (w B natural - it is an ascending melodic minor - if started on C - a bit trickierSo…it seems that her inner ear is Already starting to censor or - loves the 'slight of hand' trick