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Music is an Adventure – Interview with Randall Faber

Randall Faber, alongside his wife Nancy, is well-known for co-authoring the best-selling Piano Adventures teaching method. Their books, recognized globally for fostering students’ creative and cognitive development, have sold millions of copies worldwide. Previously translated into nine languages, Piano Adventures is now also available in Dutch and German. Eric Schoones had the pleasure of speaking with Randall Faber about his work and philosophy. Read more

Topic: Tension, tension, tension!  (Read 3013 times)

Offline corganek

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Tension, tension, tension!
on: January 20, 2018, 03:14:49 PM
Hi.  I'm learning Beethoven's 6 Variations from the opera La Molinara.  Variations 1-5 are going swimmingly (though admittedly not up to speed yet).  But Variation 6 is a killer!  It involves continuous back and forth between thumb to big stretches with fingers 4 and 5, at alarmingly breakneck speed for two pages!  It makes my pinky really tired.

I practice just a measure or two at a time, focusing on staying super relaxed.  Play, shake out, relax, play, shake out, repeat, etc.  Also I purposely exaggerate (for now) wrist rotation with my fingers slightly curved, training myself to not stick my fingers out like daggers to do those reaches.  The LH is similar, but I find that comes easily.  The RH is causing the tension.

Even if I can play two measures in a relaxed way, when I try to string six or eight measures together, I tense up all over again.  I've been working on the first ten measures for over a week now.  Does this mean the piece is too advanced for me, or should I stick with it?  Any advice? 

Offline hardy_practice

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Re: Tension, tension, tension!
Reply #1 on: January 20, 2018, 03:33:49 PM
As fingers 1, 4 and 5 are more or less used in sequence there is a space for them to relax after each use.  i.e. they spend more time relaxed than tensed.  The heart beats for a lifetime.  It can do that because it rests between beats!
B Mus, PGCE, DipABRSM
 

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