Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Performance
»
Chopin Scherzo 3
Print
Pages: [
1
]
Go Down
Topic: Chopin Scherzo 3
(Read 2597 times)
Kapellmeister27
Guest
Chopin Scherzo 3
on: January 19, 2005, 07:06:07 PM
I'm working on this piece and it seems to be going pretty well so far, but there is a tricky spot that I'm having trouble with, and I was wondering if anyone could help me.
In the middle of the piece, right before the return of the main theme there are two arpeggios going up in the right hand that I can't seem to gets a smooth or as fast os all of the broken cholrds coming down in the previuous measures.
The notes go: e(3), a#, b#, d#(4), c#, e, a#, b#, d#(5), c#, e, a#, b#, d#(6), c#, e, a#, b#, c#(7)
This is my fingering: 1235412354123541234
something about this arpeggios just seems to make it a lot harder than the rest. Anyone have any suggestions?
Logged
anda
PS Silver Member
Sr. Member
Posts: 943
Re: Chopin Scherzo 3
Reply #1 on: January 19, 2005, 07:59:55 PM
well, my fingering was quite different:
1-2-1-3-2-1-2-1-3-2-1-2-1-3-2-1-2-3-4
Logged
www.youtube.com/andapianist
jon
PS Silver Member
Jr. Member
Posts: 44
Re: Chopin Scherzo 3
Reply #2 on: January 20, 2005, 03:02:39 AM
Kapellmeister27, I too am currently working on this piece.On this section that you are talking about I have several methods of practicing it to achieve legato,eveness,and speed.I use the same fingering as you do cause that's what it is in my Dover edition.One of the first things I do is play the arpeggio with a dotted rhythm.Just place an imaginary dot on every other note, changing the rhythm.Also try playing the arpeggio all in staccato, obviously not at full speed, but accurately and evenly.This fingering is probably hard because of the fifth and fourth fingers not being very strong.Try placing a strong accent on the fourth and fifth fingers.Just doing this method for a few days helped me alot.
Logged
pianowelsh
PS Silver Member
Sr. Member
Posts: 1576
Re: Chopin Scherzo 3
Reply #3 on: January 25, 2005, 04:55:11 PM
I'm not sure by your definition which bit you are actually talking about. Shifting accents always helps and so do stops (pause and run). Block chord practice is always helpful CODA is hard!!
Logged
johnnypiano
PS Silver Member
Jr. Member
Posts: 75
Re: Chopin Scherzo 3
Reply #4 on: January 27, 2005, 02:32:45 PM
Here is a better fingering, which gets rid of your nasty 4 and 5. Notice that Chopin has written 3 repeated groups of
five
notes each. So the groups go over the bar lines. This is part of the problem.
The fingering is 1 2 3 4 3 1 2 3 4 3 1 2 3 4 3 A good practice is to play the first five notes followed by the next two, so that your are aiming well ahead. ( a bit like jumping over a barrier and landing somewhere.) Let us know if it works.
Logged
Sign-up to post reply
Print
Pages: [
1
]
Go Up
For more information about this topic, click search below!
Search on Piano Street