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Topic: Vanhal Symphonies  (Read 2235 times)

Offline goldentone

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Vanhal Symphonies
on: July 27, 2019, 09:27:25 AM
Johann Baptist Vanhal (1739-1813), born in Bohemia, was a contemporary of Mozart and wrote some substantial symphonies.  A few years ago I ordered a couple CDs of his symphonies on Naxos.  I find him a creative artist, not afraid to take risks, sometimes even idiosyncratic.  The complexity and layers of his music impress me, not far behind Mozart.  In this aspect I believe he surpasses Haydn.  Though his brilliance is not on par with his famous contemporary, he is just as polished.  Vanhal's stature lies between the French composer Etienne Mehul and Mozart.

I'm interested to hear from those of you who know his music.

If you've never heard Vanhal, here is a link.  His Symphony in G minor is an excellent
introduction and perhaps his finest work. 

He was not of an age, but for all time.

Offline Bob

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Re: Vanhal Symphonies
Reply #1 on: July 28, 2019, 10:21:18 PM
I haven't heard of him before.  Sounds nice. 

What's risky though?
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline goldentone

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Re: Vanhal Symphonies
Reply #2 on: July 29, 2019, 08:17:13 AM
I haven't heard of him before.  Sounds nice. 

What's risky though?

There are times where he isn't afraid to bare his soul in his self-expression and break the rule of propriety, especially for the classical period.  It's something unique I can't think that another composer has done. 
He was not of an age, but for all time.

Offline Bob

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Re: Vanhal Symphonies
Reply #3 on: August 01, 2019, 10:46:13 PM
When exactly?  Is there a min:sec mark on a youtube video?
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline goldentone

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Re: Vanhal Symphonies
Reply #4 on: August 05, 2019, 08:07:34 AM
I have my Vanhal CDs stored away right now.  I can't think of a particular symphony or passage.  But if you listen to a couple you should hear what I mean.
He was not of an age, but for all time.
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The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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