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Topic: Chopin edition? Fantansie Impromptu  (Read 3231 times)

Offline Bob

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Chopin edition? Fantansie Impromptu
on: May 09, 2020, 11:39:33 PM
I'm thinking about the Fantaisie Impromptu, c minor, Op. 66.

What's the best/correct edition for that?


Or maybe two?  Henle if there's Henle and something else that is edited?
Favorite new teacher quote -- "You found the only possible wrong answer."
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Offline quantum

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Re: Chopin edition? Fantansie Impromptu
Reply #1 on: May 10, 2020, 01:15:41 AM
Chopin National Edition (Ekier).

There is also Paderewski.  Some people don't like the binding.  It has been distributed by various printers over the years, and some of them did sew their books in signatures.
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach

Offline hexameron

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Re: Chopin edition? Fantansie Impromptu
Reply #2 on: July 05, 2020, 04:25:22 PM
Avoid Paderewski - many errors, and doesn't even retain Chopin's fingerings.  I would plump for Polish national by Jan Ekier or modern Peters edition, series editor John Rink. 

Offline Bob

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Re: Chopin edition? Fantansie Impromptu
Reply #3 on: November 12, 2020, 10:24:30 AM
Dang.  Did I pick just the wrong piece here?  There's no National Edition for this?
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline Bob

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Re: Chopin edition? Fantansie Impromptu
Reply #4 on: November 12, 2020, 10:29:41 AM
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline Bob

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Re: Chopin edition? Fantansie Impromptu
Reply #5 on: November 12, 2020, 10:37:09 AM
You just can't buy that item though?
Favorite new teacher quote -- "You found the only possible wrong answer."
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Piano Street Magazine:
Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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