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Topic: Sequences and fingering  (Read 1138 times)

Offline 1piano4joe

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Sequences and fingering
on: October 17, 2020, 04:52:17 AM
Hi all,

Just curious but I typically will play a melodic sequence with the same fingering. I just make a very small hand shift and repeat the pattern starting at a higher and/or lower pitch. Is this considered "good" technique?

Would there be ever be good reason to not do this? Maybe to avoid fatigue/cramps? Or to avoid possible injury?

Thanks, Joe.

Offline quantum

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Re: Sequences and fingering
Reply #1 on: October 17, 2020, 05:10:14 AM
For sequences such as those common in Baroque music, I like to keep to the same pattern and shift.  If it becomes awkward then I may change the fingering for any iterations in question.  If a more complex fingering helps with execution or memorization, I would consider it, but only if it provides a demonstrable improvement over a simple repetitive fingering pattern. 

Complex fingering poses more things to incorporate into the learning and performance of a piece.  One has to weigh the costs or benefits, if it truly helps or it just adds more clutter. 
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
 

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