Again... like the Chopin - there are parts of this I'm sure are meant to be piano and yet you are playing with a LOT of force... and no I don't believe it's the microphone levels. It's the way your fingers play the notes - very raised and almost thrust down. This has to be a piece of PURE tranquility - even in the 4-bar forte section (which really only applies to the F# in bar 9). Shape the melody... give it life, not one static dynamic level.
I'm sightreading the pieces maybe thats the problem I didn't studied them before thank you for criticism.