Piano Forum

Piano Street Magazine:
Watch the Preliminaries of the Chopin Competition

The Preliminaries of the 19th International Chopin Competition are underway in the Chamber Music Hall of the Warsaw Philharmonic. From April 23 to May 4, 163 pianists from 28 countries are performing their best Chopin etudes, nocturnes, scherzos, and mazurkas. Watch all performances online and form your opinion about who is worthy of a place in the final stages of the competition this October. Read more

Topic: Adding piano to soundtrack in musical theater production  (Read 1575 times)

Offline sharpie

  • PS Silver Member
  • Newbie
  • ***
  • Posts: 6
If the performances of a musical will use the sound tracks (back tracks?) in lieu of live band accompaniment, could it work to supplement with one live piano?  I am looking to give the performances more of a live feel, without the challenges of matching the band’s volume (read, drum volume) to singing volume, hiring and managing band members, etc.  any suggestions?

Offline Bob

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 16368
Re: Adding piano to soundtrack in musical theater production
Reply #1 on: November 28, 2021, 11:46:19 PM
It's probably going to be out of tune.  I would imagine you'd mic the piano and pipe that into a mixer with the canned recording.  That's sounds like a lot of work for probably not a great pay off.
Favorite new teacher quote -- "You found the only possible wrong answer."

Offline sharpie

  • PS Silver Member
  • Newbie
  • ***
  • Posts: 6
Re: Adding piano to soundtrack in musical theater production
Reply #2 on: December 06, 2021, 04:38:11 PM
Thanks.  May be better just to turn off the tracks and play live when the song needs only piano.  Actually, I think I might just hire a drummer and guitarist and have us play live.

Offline quantum

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 6289
Re: Adding piano to soundtrack in musical theater production
Reply #3 on: December 07, 2021, 06:34:36 PM
I would be more inclined just to work with the piano accompaniment.  Working with backing tracks can create the opportunity for a disconnect in musical continuity if the live performers do not have the same conception of the music.  Also for musicals, there is a need for live adaptation if something does not go as planned, live musicians can easily do this but backing tracks are not as flexible.
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach

Offline Bob

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 16368
In terms of uniformity, I could see something working if it was canned for the main parts and then live piano for transitions, something that keeps it uniform and a little more flexible with live piano inbetween things.
Favorite new teacher quote -- "You found the only possible wrong answer."
For more information about this topic, click search below!
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert
Customer Reviews