Thanks for posting these links. I wouldn't listen to them again but they are certainly accomplished. Coincidentally, I had a discussion with my son, a software developer, about AI and music the other day. He is very pessimistic, asserting that all conventional instruments will become obsolete because nobody will buy them or play them and professional musicians, composers and teachers will all be redundant. There are a number of reasons why I consider this trip to the musical cemetery, so to speak, far from imminent or even likely. The most important is the fact of the uniqueness of individual human consciousness, soul, psyche or whatever term is used to describe it. I have a compulsion to be involved consciously in the combined acts of creating my own music, playing it and listening to it in combination, however solipsistic, inept or improper it might sound to other minds. A computer can create, play and listen, and it might or might not be considered aware of what it is doing; the jury is still a very long way from a verdict on that one. However, even if it can imitate me it cannot actually be me. This in the same way that Beethoven, Chopin, Waller, Gershwin and the whole panoply of dozens of others, however much I admire their music, cannot be me, cannot feel as I do here and now.
My son's response was that I am merely a fortunate anachronism, lucky in that I shall probably be dead before the musical cataclysm occurs. I couldn't help drawing a parallel with the bitter argument between Marsalis and Jarrett, which also seems to me something of a frog and mouse battle, rather like applying the Turing test to my lawnmower.