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Piano Street Magazine:
Wagner’s Universe in a Pianist’s Hands

One of the most thrilling performances offered at Cremona Musica this year was the Wagner by Liszt recital given by Filippo Tenisci – Italian pianist, born 1998 and celebrated for his refined interpretations and expressive mastery of the Romantic repertoire. After his recital we got the chance talking to Tenici about his Wagner/Liszt project. Read more

Topic: Cadenzas to Beethoven Concertos by Edwin Fischer and Ernst von Dohnanyi  (Read 2479 times)

Offline Steffen Fahl

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I just want to share my recordings of Cadenzas to Beethoven Concertos
by Edwin Fischer:
- for the first Movement of Beethovens  Piano concerto C-Major op.15
- for the first Movement of Beethovens Piano concerto c-minor op.37
- for the first Movement of Beethovens Piano concerto G-Major op.58

by Erno v. Dohnanyi:
- for the first Movment of Beethovens Piano concerto G-Major op.58
- for the third Movement of Beethovens Piano concerto G-Major op.58

the recordings are made with a digital piano and a digital Orchestra programmed by myself,
I hope you like this wonderful brilliant and inspired music.

Offline Steffen Fahl

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OK, I dont like the final Orchestrachord of the Dohnanyi op.58,3 Cadenza that much it seems to me way too short, so here is my corrected version:

Offline Steffen Fahl

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And here are some more Cadenzas by Samuel Feinberg and Fritz Kreisler recorded by myself like the others.
From Samuel Feinberg the Cadenza for the first and last Moevement of Beethovens G-Major Concerto, and from Fritz Kreisler the Cadenzas to all three Movements of the Violinconcerto op.61 (while I admit, that Kreislers "Cadenza" to the second movement differ just in very few notes from the original Ending)

Offline Steffen Fahl

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This is a Cadenza of Fazil Zay for the first Movement of Beethovens Pianoconcerto c-minor op.37
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Piano Street Magazine:
Remembering the great Maurizio Pollini

Legendary pianist Maurizio Pollini defined modern piano playing through a combination of virtuosity of the highest degree, a complete sense of musical purpose and commitment that works in complete control of the virtuosity. His passing was announced by Milan’s La Scala opera house on March 23. Read more
 

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