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Topic: Cliburn Competition, 2025  (Read 260 times)

Offline dizzyfingers

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Cliburn Competition, 2025
on: May 29, 2025, 12:06:34 PM
Anyone watching the Van Cliburn Competition?

I watched the semi-finals live last night on YT.
Eye (and ear) popping pianism by:

Aristo Sham from Hong Kong. 
I only heard that last few etudes-tableaux, this was his program:
BACH–RACHMANINOV Suite from Violin Partita in E Major, BWV 1006
SCRIABIN Sonata No. 10, op. 70
RACHMANINOV Études-tableaux, op. 39

I also heard Elia Cecino from Italy play the last two pieces of this set:
TCHAIKOVSKY Nocturne in F Major, op. 10, no. 1
SCHUMANN Sonata No. 1 in F-sharp Minor, op. 11
GUBAIDULINA Toccata-troncata
PROKOFIEV Sonata No. 7 in B-flat Major, op. 83

What's interesting about the broadcast is the commentary after the performances by Greg Anderson.
It's a very well-organized competition, including the website.  It kind of puts the Chopin competition to shame, in this regard.

https://cliburn.org/
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Offline essence

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Re: Cliburn Competition, 2025
Reply #1 on: May 29, 2025, 12:58:09 PM
Lots of good stuff. But isn;t his Hammerklavier slow movement a bit pedestrian? ;D

i=0ZII1GoMEBqydfeP

Offline essence

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Re: Cliburn Competition, 2025
Reply #2 on: May 29, 2025, 02:20:35 PM
I found his semi final performance here.

https://cliburn.medici.tv/en/replays/semifinal-round-recital-aristo-sham/

Impressed. Particularly liked the Scriabin 10th (been hacking my way through that since 1976).

Offline essence

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Re: Cliburn Competition, 2025
Reply #3 on: June 03, 2025, 03:52:20 PM
I see Magdelene Ho was eliminated after the prelims. Inconceivable.

i=sx6F5wHKq0wmhp7z

Offline essence

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Re: Cliburn Competition, 2025
Reply #4 on: June 03, 2025, 04:32:04 PM
There are plenty of youtube performances by her, for example from each stage of the IGPA 2024 competition. Currently blown away by her Schumann fantasy as I write this.

She is too powerful an artist for any competition. Listening to the Schumann Fantasy middle movement. Heard many pianists bashing through it. But this performance made me wonder how Clara would have performed it. I wonder how her leaps will be...no, I don't care, I want beauty not leaps!

i=_sug5s6LXxohGIUD

Offline essence

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Re: Cliburn Competition, 2025
Reply #5 on: June 03, 2025, 09:01:52 PM
I love it so much just listened again to her Franck. Up there with Richter (but different).

Offline dizzyfingers

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Re: Cliburn Competition, 2025
Reply #6 on: June 04, 2025, 01:43:19 PM
the videos you posted are unavailable ...

edit:  I see that there is a setting that prevents it from being viewed embedded in another site (this one)
it's possible to click through to YT

Offline essence

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Re: Cliburn Competition, 2025
Reply #7 on: June 04, 2025, 01:50:58 PM
Did you try to google

Magdalene Ho IGPA 2024

or

Magdalene ho  cliburn

I found all stages there.

Online transitional

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Re: Cliburn Competition, 2025
Reply #8 on: June 04, 2025, 02:51:40 PM
Did anyone watch the concerti posted yesterday? I thought Aristo Sham's Mendelssohn was a bit rough on the keys and didn't make me feel much, and the Tchaikovsky was solid but not extremely innovative. But Angel Stanislav Wang's Beethoven was full of really great meditative moments and some astonishing tone overall. Much of the comments were complaining about mistakes (which were kind of annoying in the 3rd movement of the Tchaikovsky) but it doesn't matter much if the interpretation is good.
last 3 schubert sonatas and piano trios are something else

Online transitional

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Re: Cliburn Competition, 2025
Reply #9 on: Today at 03:55:55 AM
Unpopular opinion, but after today, I'd say that Angel Stanislav Wang is easily my favorite out of all of the Cliburn contestants. Of course, I haven't paid much attention before today, but given Rach 3 isn't even really one of my favorite pieces, I would say that there's not too much bias involved. In fact, Brahms 2 is my favorite piano concerto, but then, I might be too harsh on Aristo Sham because I love it so much. I just think he's too harsh on the keys at times - the 2nd movement was practically all variations of forte and fortissimo, there was really never any sotto voce, it seemed like the orchestra was carrying his technically flawless playing. (Amazing cellist, by the way.) Angel made tons of mistakes and cuts but they weren't extremely problematic, and his playing was notably more dynamic than any of the other contestants. Of course, this is just my opinion, and people with more experience than me will have a more informed idea of what you can expect from each particular concerto.
last 3 schubert sonatas and piano trios are something else
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