Thank you all for your kind words!
Alde, the piano is not a Mason, but a 2002 NY Model B.
As for being compared to LL - I'm honoured to be compared to such a technician in this piece, heh. Even if musically I may prefer my own approach

I also find it unfair that Islamey is often disparaged on internet forums by pianists who do not truly understand its importance. I also find it amusing to see so many people claiming its comparative ease in light of its history and reputation as a technical tour-de-force. It's far from the "hardest piece in the world" that it was once touted to be, sure. But it is unfairly denigrated and looked down upon for some reason by many pianists (especially in online communities). So that's one of the reasons that I posted it

To give it some of the worthwhile attention it deserves.
I don't have any other Balakirev recordings, but maybe one of these days I'll take a look at the Sonata...
Ted, I agree about the sense of the rhythm changing with velocity. Often the scale of rhythm has to be halved to retain any sense of musical coherence (or quartered) with works; some players tend to see this work to have a scale of one pulse per beat, but I see this more as a one pulse per two beats piece; this is probably the most overt way in which my chosen velocity affects the rhythmic pulse. I happen to prefer this pulse musically, but I know that others might not

I definitely see what you're saying though, and thank you for your criticism!
Technically, Islamey is not easy. It may not be as hard technically as the Clavicembalisticum (but what work wants to be?

, but it is not exactly very easy (or some might say even moderately manageable). One thing, though; anybody who says you need big hands for it doesn't really know what they're talking about.

Thank you all again for your comments though! If anyone has questions about the piece or anything I'm more than happy to answer. Hope you enjoy it
