Piano Forum

Piano Street Magazine:
A Daily Dose of Bach? – Access his Complete Scores on Piano Street

Johann Sebastian Bach’s keyboard music is some of the most essential repertoire for pianists, although he lived before the era of the modern piano. And you don’t need to look any further than Piano Street: our library of sheet music by Bach – 250 pieces waiting to be explored – is now complete. Read more

Topic: Rob K - Rapsodie Ridicolosamente e Stupidoso op. 22 no. 1  (Read 4056 times)

Offline rob47

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 998
Don't mind penelope cruz at the beginning. Ya it's a midi. So what.  The part in the middle is 'quasi electrica guitara solo'
kind of neo-classical i suppose. maybe not.

arguably, the octaves in the middle section are unplayable, but I disagree, if i can do it, millions of other pianists can to.

i'll post the score later if i figure out how.  I use Noteworty Compsoer.

your friend
Rob K
"Phenomenon 1 is me"
-Alexis Weissenberg

Offline Derek

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 1884
I like a lot of the dark harmonies and chords you use in this piece. My favorite part is around 5 minutes or so.

Offline erak

  • PS Silver Member
  • Full Member
  • ***
  • Posts: 127
I like this ;). Good stuff.

Offline rob47

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 998
Thanks guys!  :)

Although, along with changes I will inevitably make, i think i may also change the title one day. or not.

 
"Phenomenon 1 is me"
-Alexis Weissenberg

Offline Etude

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 908
Hey Rob, can you put up the sheet music for this? I'd appreciate if you would.

Offline leonidas

  • PS Silver Member
  • Sr. Member
  • ***
  • Posts: 381
Re: Rob K - Rapsodie Ridicolosamente e Stupidoso op. 22 no. 1
Reply #5 on: November 03, 2007, 04:05:58 PM
Yea, seconded
Ist thou hairy?  Nevermore - quoth the shaven-haven.
For more information about this topic, click search below!

Piano Street Magazine:
Toward the Flame: Boris Petrushansky’s Journey Through Scriabin’s Universe

Alexander Scriabin died in April 1915, at forty-three, of a fever that took him within a week — leaving his great mystical project unfinished. He left behind a piano language no one had spoken before, one that a century later still questions every interpreter who approaches it. Boris Petrushansky has spent a lifetime preparing his answer. In a new album and an extended conversation with Piano Street, he traces Scriabin’s path from the early Preludes to the final, shattering Op. 74. Read more
 

Logo light pianostreet.com - the website for classical pianists, piano teachers, students and piano music enthusiasts.

Subscribe for unlimited access

Sign up

Follow us

Piano Street Digicert
Customer Reviews