What is the point for example of neglecting the pedal if you were learning Debussy's Sunken Cathedral for instance Prelude Bk1no10. How utterly pointless it would be to learn or even practice it without the pedal! Shift over to Bach and you can neglect the pedal all day without any problems, but this can't be done for everyone.
I read somewhere (it may have been here) that one should learn a piece without pedal first. then once the piece is pretty well under the fingers then add the pedal work. Is this true? what do you think?