Which do you think has the greater capacity in subjects like dynamics, voice, tone, etc.?
So many useless words! Next time you write a sentence, ask yourself, “Can I say the same thing in fewer words?” Also, think about the
meaning of the words you use: dynamics, voice, tone, orchestrate, capacity, proved. (all of which you used vaguely or incorrectly)
OK, now to invalidate your claims:
The modern piano can reach FFF as loud or louder then [sic] an orchestra and PPP as soft or softer than an orchestra.
Firstly, dynamics are relative: a
ppp after an
fff is louder than a
ppp after a
pp. Since your claim is “the piano can be louder or quieter than an orchestra”, give figures in decibels (the unit for measuring loudness) to support your claim.
This was proved by Rubenstein.
Proved? Like somebody would prove something in mathematics? Perhaps
demonstrated would be a better word. And if he did in fact
prove this, I'd love to see the proof. ("...therefore, we can deduce that the piano is in fact louder than the orchestra.")
I think the piano has the ability to play just as many voices as an orchestra can.
No, you're wrong. For example, the micropolyphonic orchestral music of György Ligeti (works like the Kyrie movement from his
Requiem or
San Francisco Polyphony) which use dozens of polyphonic lines simultaneously could not be reproduced by the piano.
Gould showed this.
Oh? How?
You can also orchestrate on the piano, which is what Liszt did.
Dictionary.com defines
orchestrate as: “To compose or arrange (music) for performance by an orchestra.” Did you mean that Liszt wrote his orchestral music while at the piano? Yes, this can (as many composers have demonstrated) be done.
Anybody who hasn't heard a Liszt transcription of a Beethoven symphony should now.
Anybody who hasn't heard Conlon Nancarrow's 36th Study should, now! (More relevant to this topic than Liszt's Beethoven arrangements)
If played by a good pianist, you can barely tell the difference.
Maybe you can't tell the difference, but I can (please, don't speak for me). Especially, in the last movement of the Ninth Symphony (pianos still have trouble singing lyrics).
Do you consider the abilities of a piano to be the same as an orchestra?
No, considering that they're two different things: an orchestra is a collection of instruments and a piano is a single instrument; similarly, a bicycle and a biplane have rather different abilities. The piano does have limitations (like all instruments); for example, it has a limited sound envelope: a strong attack and quick decay.
Oh, I forgot to mention that you can pick the strings for pizaccato and slam the pedals to make a drum effect.
Pizaccato? That's a new one. I've heard of pizzicato.
These are extended piano techniques and other include: using wood blocks to play large cluster chords, slamming down the keyboard cover, using various electronic amplification and distortion techniques, etc.
This also warents [sic] the question, would you rather have a top flight orchestra at your disposal or a topflight pianist at your disposal, if the repertoire was the same?
If the repertoire was the same? Well, in almost all cases, I'd rather hear the original version of an orchestra piece than a piano arrangement.
I would pick the piano.
OK?
As for Stevie:
but what youre saying, and i agree with, is that the people playing it are more important than the insturment theyre playing on.
It's obvious that this is
not what he was saying: covering up his stupidity out of sympathy is harmful to this forum, and Contrapunctus himself.
In conclusion, Contrapunctus obviously doesn't care about the meaning of what he writes. He frequently misuses and misspells words, makes outrageous claims trying to pass them off as logical and sound. I would think that this would be discouraged on any serious (or semi-serious) forum. Sadly, I am the first one to mention this.
—Ryan