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Topic: expectance  (Read 1198 times)

Offline tompilk

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expectance
on: January 11, 2006, 09:53:01 AM
Is ther anybody else here, who when they listen to 10 seconds of orchestral music, wo waits for the piano to begin, even if it is not a concerto?
It's a problem i have... whenever i listen to classical i expect a piano to kick in somewhere... lol...
Tom
Working on: Schubert - Piano Sonata D.664, Ravel - Sonatine, Ginastera - Danzas Argentinas

Offline rc

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Re: expectance
Reply #1 on: January 11, 2006, 10:36:51 AM
Often I'm very relieved to not hear piano... Like after some delicious arpeggio practice ;D

Offline thalbergmad

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Re: expectance
Reply #2 on: January 11, 2006, 06:02:05 PM
When i first listened to the Beethoven 3rd Piano Concerto, I initially thought i had bought the wrong record.
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Offline pianistimo

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Re: expectance
Reply #3 on: January 11, 2006, 06:24:40 PM
on the other hand, you might think you accidentally got a solo version of a concerto when you hear the beginning of of mozart's K271  (jeunhomme).  doesn't it just start right out with piano?!

i don't think it was until beethoven's 4th and/or 5th pc that this idea was again parried around.

say, have you ever heard busoni's piano concerto?  you think laa dee daah  - this is a really  a symphonic piece and then - boom piano.  or chopin's piano concerto #2 (first movt)

didn't beethoven write a fantasy for piano, symphony, and chorale? anyway, have to listen to see what it starts with.  ok. vladimir ashkenazy plays this really well.  it's op. 80
chorale fantasy - starts with piano and then choir and symphony come in. 

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Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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