Okay, since it seems everybody is critisizing my statement above, I've come back. Anyways, when I said it was always harsh it was a overstatement that I apologize for. As Koji stated I am making a rather blanket statement. I was referring to when he plays forte, it is quite frequently harsh, not always. In the cd set I own of him playing Liszt (pink box set- five cd's that is titled Works for piano in French) a bunch of the rhapsodies the bass is a bit overstated (it sounds as if he is just landing on the notes as fast and loud as possible) causing the sound to bleed a bit, maybe its just the recording equipment wasn't up to par. The Trans Etudes also have a lot of this throughout. I just relistened to the Sonata, which I hadn't listened to in a long time ago. I'll agree in the softer parts it is very delicate. In some of the more aggressive parts it seemed like he was hitting the keys as loud as he could. I guess its one style of playing that I do not appreciate. I'm not saying I don't enjoy a lot of his playing though- it is definately exciting. This thread was afterall intended to discuss any weaknesses he might of had. Mine was referring to tone production in the forte side of things. Though maybe I just need to go get my ears tested as the previous poster suggested.