perhaps i should start a new thread, but george balachine was a choreographer and understander of what sexy means. i think in life, you have to have a philosophy. mine is clean lines. to me, with piano, this would signify something like watching a kite fly around. you have dips and swirls and updrafts and downdrafts - but the basic flying is there unless u have an accident. that is not sexy. i think accidents stunt sexiness. overall - the sexiness lies in the ability to carry this line to the end. but, if the worst case scenario happens - if you can make it look like a small accident and not a large one - it is much to your favor.
despite calling pianists geeks - they are really among the most sexy people out there besides ballet choreographers. what we are doing is orchestrating musical affairs. helping people enjoy being spontaneous. now, one thing i dont' understand is why so many musicians are fairly stiff dancers - but that's another thread, too. i once was at a workshop for pianists where we had to express our feelings for certain piano rep by physical actions. that was hilarious. we had to pass the feeling to the next person - and they'd take it from there. one thing i learned is that physical movement IS really key to playing a line. i mean, you don't have to move your body so much - but you are moving a line. you are making it dynamic.
i can't stop writing about this tonight - because A) i am again insomniac right now B) i like to know why certain people have this 'tango beat' inside them C) why my teacher can play without having accidents consistently. now, about 'B' - i think if you watch a flamenco dancer you will see the importance of building upon intensity. intensity, line, dynamics - they all seem to lead to one great orgasm of music. when you can keep an audience from yawning - that's when u have the sensuality or the beauty of the line going in your favor. it's like ur starting from a place like a ribbon dancer - who lightly brings up the ribbon and starts it's movement. then, it's almost like the ribbon takes off and does what the wind has it do. then, it's brought to land again. you don't want to fight the wind. you try to find the path of least resistance and the quickest and simplest manner of getting things in the air.
also, it's similar, to me - of a chef. you want to cook 5 things. they all have to be completed at the same time - but start cooking each thing at staggered times. this is also sexy. especially if the food tastes good. this is the thrill of getting five pieces ready for performance and all about the same level of quality of readiness. i didn't realize until the last time i tried it what a real feat that is. i mean - if your going to be a sexy pianist - you don't just worry about what you are wearing to your recital. you dress the piano. you make it sound like you're tangoing with it.