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Poll

I think I figured it out now, so I'll add this function.

Un Sospiro
15 (55.6%)
25. no. 1
12 (44.4%)

Total Members Voted: 27

Topic: Liszt vs. Chopin (Don't worry, it's not what you think it is)  (Read 10364 times)

Offline lagin

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My teacher said I could pick between Liszt's Un Sospiro, or Chopin's op. 25, no. 1

Voting time!  (Note, one does not know how to make a poll sadly, but please vote anyway!)
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Offline pianiststrongbad

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Though i haven't played Un Sospiro I think it is much more difficult than Op. 25 no. 1.  I  prefer Un Sospiro, though they are both great pieces.

Offline jre58591

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i have played un sospiro. it was quite a fun piece to learn and play. it is definitely a better piece to learn, but also a harder piece to learn than 25-1. if you want an easier piece, go for 25-1. it is easily sightreadable.
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Offline bernhard

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Which one do you love the best?

I will vote for ... both! :D

Best wishes,
Bernhard.
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. (Hunter Thompson)

Offline lagin

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Wow, you guys are fast!  Okay, I was already leaning towards Un Sospiro so I guess it's confirmed.  I do like it better.

The sheets for it however have vanished from gamingforce!  They were there a few days ago.  Hmmm... Anyone have them?

Thanks.

Edit:  Nevermind, it's back again today!  Wierd.
Christians aren't perfect; just forgiven.

Offline ihatepop

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Chopin op25 no1 (it's great, but the liszt Un Sospiro is nice too)

Oh, yes, I hope you've found out how to set a poll. :)

Offline Waldszenen

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Go Un Sospiro... nicer piece, in my opinion.
Fortune favours the musical.

Offline cloches_de_geneve

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I would proritize op. 25/1. It's much more of a "classic" of the piano literature than Un sospiro. Not having it in your repertoire is like pretending to be a specialist in English literature and not knowing Byron's poems. Also sospiro is not "nicer" than 25/1 in my opinion. 25/1 is one of the most amazing pieces of romantic piano literature.

In terms of difficulty I also disagree with what has been said. Ok, getting the notes right with op. 25/1 is easier than with the Liszt, BUT let any pianist play the first few bars of 25/1, and the experienced critic can immediatly tell whether the pianist is bad, mediocre, good, or superior. It's sort of easier to hide technical and especially musical deficiencies with Un sospiro imo.

This said, the best advice came from Berhard, as so often.

So I would go with op 25/1 first and second with Un sospiro (or Waldesrauschen, which I think is a more interesting etude).
"It's true that I've driven through a number of red lights on occasion, but on the other hand I've stopped at a lot of green ones but never gotten credit for it." -- Glenn Gould

Offline bernhard

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This said, the best advice came from Berhard, as so often.



 8)
The music business is a cruel and shallow money trench, a long plastic hallway where thieves and pimps run free, and good men die like dogs. There's also a negative side. (Hunter Thompson)

Offline ted

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If pushed to choose, I enjoy playing the Chopin more than the Liszt, but find it difficult to justify or explain why. They're both nice pieces so just listen to them and play the one whose sound you prefer.
"Mistakes are the portals of discovery." - James Joyce

Offline Waldszenen

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Op. 25 No. 1 is pretty easy, IMO.
Fortune favours the musical.

Offline thorn

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I've played both of them, and prefer Sospiro, although as people have said Op 25:1 is easier...

but i would say that Sospiro, probably just for the fact it is more difficult, is the more rewarding piece

Offline gyzzzmo

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You impress other musicians more with un sospiro. Though sospiro has very different difficulties than 'the harp'. So do you want to train, if yes what, or do you want to impress your fellow piano buddies.
1+1=11

Offline chopinfan_22

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I have played neither of them, but I prefer hearing Un Sospiro.
"When I look around me, I must sigh, for what I see is contrary to my religion and I must despize the world which does not know that music is a higher revelation beyond all wisdom and philosophy."

Offline Waldszenen

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From an objective compositional viewpoint, Un Sospiro was the better-written piece. It's one of Liszt's most unique, characteristic pieces whereas Op. 25 No. 1 is slightly repetitive and the same.
Fortune favours the musical.
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