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The Quiet Revolutionary of the Piano – Fauré’s Complete Piano Works Now on Piano Street

In the pantheon of French music, Gabriel Fauré (1845–1924) often seems a paradox—an innovator cloaked in restraint, a Romantic by birth who shaped the contours of modern French music with quiet insistence. Piano Street now provides sheet music for his complete piano works: a body of music that resists spectacle, even as it brims with invention and brilliance. Read more

Topic: Gaining Range  (Read 2145 times)

Offline Pfreak

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Gaining Range
on: December 28, 2003, 10:09:48 PM
My range on the piano is 14 half steps with my right hand.  Is there any way that I can extend that?  Is there some excersise that I can do besides 8 hours of solid practicing?  ??? Please help!

Offline Rach3

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Re: Gaining Range
Reply #1 on: December 28, 2003, 10:17:21 PM
Surgery.

Just kidding! Seriously, 14hs = major ninth, so your hand is about as big as most get. You can now play about everything excluding a few oddball pieces by Rachmaninoff and Brahms. Depending on your age and how much you practice, your hand still might grow or become more "flexible", able to strech at a greater angle.
"Never look at the trombones, it only encourages them."
--Richard Wagner

Offline Pfreak

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Re: Gaining Range
Reply #2 on: December 28, 2003, 10:29:26 PM
I'm 14 and I practice about 1 to 2 hours a day, Rach3

Offline Rach3

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Re: Gaining Range
Reply #3 on: December 29, 2003, 12:32:13 AM
In which case you have nothing to worry about, your hands will certainly grow. When I was 14, I had the same span as you (ninth), now its a comforable tenth, and I can hold an eleventh (am now 16).
"Never look at the trombones, it only encourages them."
--Richard Wagner

Offline leemay001

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Re: Gaining Range
Reply #4 on: December 30, 2003, 09:26:57 AM
Quote
Surgery.

Heh heh heh  :P
  ~Lee~
To learn a piece is one thing... to know it is another.
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Piano Street Magazine:
The Prodigy Who Saw Into the Future – Lili Boulanger’s Piano Music

A teenage girl with forward-looking ideas, Lili Boulanger had enough determination to successfully navigate the competitive, patriarchal, and conservative music scene of Paris. Despite a constant fight against illness, she achieved great mastery as a composer, and left behind a significant catalog of works characterized by intense emotional depth, in a sophisticated, post-Romantic, Impressionist style. Now, all her scores for solo piano are available to Piano Street’s members. Read more
 

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