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Topic: A Piano Tale - the conflict between a jazz and a classical pianist  (Read 1377 times)

Offline henrah

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This is absolutely great, I love it  ;D

Currently learning:<br />Liszt- Consolation No.3<br />J.W.Hässler- Sonata No.6 in C, 2nd mvt<br />Glière- No.10 from 12 Esquisses, Op.47<br />Saint-Saens- VII Aquarium<br />Mozart- Fantasie KV397<br /

Offline pianistimo

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i tell you, in truth, this is the cause of my madness.  whilst i spent hours and hours practicing - my brother would come and sit down and in one sitting play anything that came to his head.  pretty soon - when i would compose things i'd hear more than basic rhythms.  (he also played sax).  bad influence, he was.

Offline henrah

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Why such a bad influence? Was he not an inspiration?
Currently learning:<br />Liszt- Consolation No.3<br />J.W.Hässler- Sonata No.6 in C, 2nd mvt<br />Glière- No.10 from 12 Esquisses, Op.47<br />Saint-Saens- VII Aquarium<br />Mozart- Fantasie KV397<br /

Offline pianistimo

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well, he got to where i was 20 years later in a matter of 3.  no hard feelings.  i love him to death.  he can't sightread either, so we're even. 

clementi drove him to it at the age of 8.  in 10th grade he was playing a sax concerto by glazunov.  he played it pretty well, too.  i think he played it for some school recital and got a standing ovation.
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Piano Street Magazine:
Women and the Chopin Competition: Breaking Barriers in Classical Music

The piano, a sleek monument of polished wood and ivory keys, holds a curious, often paradoxical, position in music history, especially for women. While offering a crucial outlet for female expression in societies where opportunities were often limited, it also became a stage for complex gender dynamics, sometimes subtle, sometimes stark. From drawing-room whispers in the 19th century to the thunderous applause of today’s concert halls, the story of women and the piano is a narrative woven with threads of remarkable progress and stubbornly persistent challenges. Read more
 

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