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Piano Street Magazine:
“The Sound Always Comes First” — Andrea Bonatta on Teaching Liszt

Why tone matters more than speed, why reading Goethe matters as much as practising octaves, and how a single insight can transform a performance. Italian pianist and scholar Andrea Bonatta has spent decades exploring the contradictions of Franz Liszt, from performer to man of faith, virtuoso to poet. Here, in conversation with Piano Street at Liszt Utrecht 2026, he shares his vision. Read more

Topic: Organ virtuoso  (Read 1476 times)

Offline Herve

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Organ virtuoso
on: March 06, 2007, 09:58:04 PM
My awakening to classical music was listening to my Mother's piano performance of it.

The classical music that piqued my interest so much that it made me want to play the keyboard, was an organ composition by Bach - specifically, an E. Power Biggs recording of the Fuge in G, otherwise known as the Gigue Fuge, or simply The Jig.

At the age of 23, this Bach fugue literally compelled me to sit down at a keyboard to learn to play.

For those who have never heard it, here is a fantastic recording of it on Youtube.  It is performed by Don Muro, who is playing what I presume is a custom-made organ synthesizer.  This instrument allows a very good view of Mr. Muro's pedal-board technique for what is still to me the ultimate example of Baroque-organ ecstasy. 

Offline cmg

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Re: Organ virtuoso
Reply #1 on: March 06, 2007, 10:14:38 PM
This instrument allows a very good view of Mr. Muro's pedal-board technique for what is still to me the ultimate example of Baroque-organ ecstasy. 



Thanks for this!  And a breath of fresh air badly needed here, I'd like to add.   
Current repertoire:  "Come to Jesus" (in whole-notes)

Offline quantum

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Re: Organ virtuoso
Reply #2 on: March 07, 2007, 04:04:56 PM
Cool stuff  :)
Made a Liszt. Need new Handel's for Soler panel & Alkan foil. Will Faure Stein on the way to pick up Mendels' sohn. Josquin get Wolfgangs Schu with Clara. Gone Chopin, I'll be Bach
 

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