Are there any definite processes by which to construct a recital program? And if so, what are they?
I've been giving recitals for awhile, lol, but I wonder what some other pianists think about their construction.
Any suggestions about this one:
J. S. Bach ... French Suite No. 2 in Cm
W. A. Mozart ... Sonata in A K331
F. Liszt ... Les Funerailles, Octobre 1949
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F. Chopin ... Polonaises, Op. 40 (A, Cm)
S. Rachmaninoff ... Preludes in C#m, Gm, Gb, Bm
B. Bartok ... Sonata (OR Rach Etude-Tableaux op. 39/7)
It seems it's very difficult to find balance and a meaningful musical message, nevermind the juxtaposition of certain tonalities with each other....ahhh...
