I'll tell Bunin and Mustonen that you think they must not move.I hope they'll survive to this new, as I survive. But it so sad, thinking you like not.Terrible, I beg your pardon and promise to stop with my insane and unuseful gestures.Now I go to learn from your videos (so boring but this is not a problem....)Can you suggest other boring videos from boring pianists, to begin my redemption?Thank you viking-thierry-master-of-good-manners and unique thinking, and all best,Sandro
Nothing special
Thank you for viewing/hearing.Piano Bohemia, mics. Rode K2All best,Sandro
You've got to be pretty thick-skinned to put a video up on this site
I know it's difficult for you, but the fact that my gesture afflict my playing that become "circus" is only a your personal, subjective evaluation.
Uh, the light of intelligence in a interesting post , after injuries. What a pleasure.You have reason about my release of keys hoding pedal. But 1) this is a particularcolour I like to obtain 2) the so interesting fact of modulate timbre AFTER depressing completelythe key I think is all to demonstrate. Probably the timbre is all in the velocity and accelerationof key depressing, in combination with pedalling.I think so and play preparing the depressing of the key with (useful or unuseful, I don't care) the maximun attention to expressive intents of each note. You win or loss the war preparing and depressing the key.The problem is here, in your words "much more you can do tonally after the initial attack" .Not me (my opinion is poor thing) but many think this is not possible.Which do you think can be the phisic reality of this sound control after touching?Thank you and all best,Sandro
Brendel does to me what Schumann does to Thalbergmad.
I think, this quote of Kassaa (from an other thread) will make clear, what's the problem.
Furthermore (just because this is bothering me), viking only voiced what everyone else on this forum was thinking - and I find it very hypocritical that you would report him for being honest, and then would go around mud-slinging and expect not to get reported yourself .... there, I'm finished.
>And now you're attacking my musical education? Yes sir. Only you can attack others here (see YOUR insulting post that begin this flame, and stop to send posts with different names)? So we are two.....>Just because I think differently than you, doesn't mean I'm uneducated. Not because you think differently, but because you offended me asking if I was seriouly playing.You are not my brother or my friend (for God's mercy), and then I descended on your low level.> For your information, I probably go to and play in m>ore concerts/competitions in one year The problem is not "how much" but "how", and also "why".Best wishes to all your nicknames and thank you for improve my poor "fighting" english...Sandro
You're funny. Were you implying that I am Viking? Look at my post number. I am not a different name for Viking haha. The fact is that opinion is good TO A CERTAIN EXTENT but there IS good or bad in music. Music is a science, a language, and therefore is established and is not THAT personnal (if you do not invent a new language or COMPOSE like I suggested you do). It's like if I told you : "you is verry bhad mistther sarrasani becauz yur muzik suonds lyk my anglysh". Then I would tell you wow, that's bad english, then you would tell me no it's not bad I like it better this way! It's my opinion leave me alone there is no good and bad! Your point is as stupid as that. You want the TRUTH and a FACT? You COMPLETLY DESTROYED debussy's piece. It is as true as I completly destroyed english in the exemple sentence I gave you. Everybody can, and MUST, speak in his own words(the personnality factor), but must respect grammar and spelling etc. ... you did NOT respect the grammar and spelling of the music. That is a fact as much as it is a fact my sentenced was in a destroyed english. Man, you do not accept even constructive criticism! You allways stand by your interpretation as if it was perfect and as if nobody could do it better than you. On the opposite, you're quite the worse I ever heard. Subjectivity and personality has it's limit in music and you got WAY too much further than the limit. I could tell you that it is similar to music but it is not really, as much as my example sentence was not really english.
I could tell you that it is similar to music but it is not really, as much as my example sentence ENTIRE POST was not really english.
just joking. I know English is not your first language...which is why your whole comparison is kind of.... Also thierry, i think you are saying way too many brutal and rude things to someone much older than you, which is despicable. You're not an experienced musician, and whatever your professors tell you is not the end all answer to piano performance. You would cease to be a music student were you to stop questioning what others present to you as absolute truths. However, judging by a million of your other posts stating 'facts', it seems you have already set off on this path. And by 'music student' I don't mean student enrolled in a music program or conservatory.To the original poster, I would agree with what most people have said here. I mean once your fingers reach the bottom of any key, no other movements will affect or change the sounds produced right?