for a contrast, a very idiossincratic version, that however amazes me: gleen gould. probably anything but authentic, but never boring. you'll probably discuss 90% of what he did, but he have a very solid coherence in his interpretation.
I don't know who's "best", which would be impossible to quantify, but I enjoy Brendel.
Haebler. Haebler. Haebler. Hae... you get the idea.Her cycles of the sonatas and concertos (she did 2 of each) are absolutely brilliant. A few of the sonatas are taken a bit slowly (k.310 sounds pretty tame), but her phrasing, touch and articulation are just breathtaking.
p.s. thierry13, I just know you're going to pounce, but before you do, I really do know that Joyce Hatto's recordings are fakes.
What's with hatto? That was in another thread!
You didn't pounce! God bless your socks. Someone else will, though.
Murray Periah certainly ranks as first rate with me... and not only in Mozart, of course.
Did you mean Marie Pariah? nyuk nyuk nyuk ....
forget about all those pianists mentioned. look at that:https://www.youtube.com/watch?v=zV4ISDTnRLMplease, notice the accurate trill on the end!best!
In my opinion, the greatest Mozart I have ever heard is the recording of the double concerto with Radu Lupu, and Murray Perahia. That was a real revelation to me when I heard it. I think that is a must have in all pianists cd collection.
What I find most disturbing with so many pianists who play Mozart is that they often have one articulation and paste it to everything. Glenn Gould is very obvious in this aspect but also other well-known pianists like Brendel, Uchida, et al. So in instances when a phrase or motive requires a different articulation to project the change in mood, and they fail to do it, the music is lost.I have recently realized that I actually like the music Mozart wrote. Before, I neither liked it nor did I appreciate it. It was inexpressive music.. Then recently, something changed. I realized that the recordings I have listened to and live performances were all inaccurate representations. And in fact, his music is actually quite expressive and it spanned the entire range. That's when I looked at the music and started to play it. I finally understood it. After several years of "I don't get it" I finally got it! It wasn't the music that was bad, it was the interpreters playing it like finger exercises.I find my own interpretations of Mozart's music to be superior to any other pianist I've heard.
what about this?https://www.onclassical.com/artists/luisi/sonatas-a/
no answers? no news?
Glenn Gould.
Damerini
Who? I can't find any Mozart CDs by this person. Unless you don't mean Massimiliano Damerini? Unless you don't mean interpretation in performance?