The only one I can think of off the top of my head is by Martin Jones. I can't really comment of its quality because i don't particularly care for the transcription (or the original work, really, it's immature Stravinsky). It is attractive from a virtuosic perspective, but musically it just doesn't spark my interest. It just plain pales in comparison to Rite of Spring and Petrushka.
Oh, Retro, how you're limped "flutter-fly-bird" stings my wonderful appreciation of this work, and I've heard recordings of it (the complete ballet only) performed by the composer, and probably 2-3 others. While the original orchestration is a great part of the genius of the young Stravinsky, the original piano reductions are brilliant as well, for all three of his ballets (Firebird, Petrushka and Le Sacre). However one dares to perform these works in the varieties of arrangements, IMHO: they are all masterworks, created over a rather short time (all within 10 years (I believe??)).
Firebird is the most traditional, in nearly every way, yet it is an original masterpiece in its own right. Likewise, Petrouchka (in its many arrangements) is a phenomenon in its own right, using wonderful folk dances (if a bit limited), yet it's a brilliant work in any arrangement, and we really don't need discuss the potency and influence of "Le sacre" just one more amazing composition by a very young Stravinsky (escaping out the lavatory window at its premier (as one legend accounts)).
Personally, these 3 ballet scores, composed so close together, are among the greatest examples of true genius in all of music. Various arrangements might play into a nasty taint for those who are just now discovering these works, but they remain, for me (and I hope most of the inspired members in this collective), monuments of original creation!
(OK, so I go overboard sometimes, yet my message is honest!)
L.
Topic: Stravinsky/Agosti "L'Oiseau de Feu" Suite