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Topic: Ian Pace on Sorabji  (Read 14332 times)

Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #100 on: February 20, 2011, 06:55:18 PM
Oh, I thought you were going to beat me up for that one ;D

Thal
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Offline minor9th

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Re: Ian Pace on Sorabji
Reply #101 on: February 20, 2011, 07:44:30 PM
Hamelin estimated that the audience consisted of about 25 people, whereas Alistair stated that there were about 100 people present at the concert.

No, there were more than 25, but I doubt there were quite 100. They were scattered about the auditorium, so it's a little hard to give a good estimate.

@Thalbergmad, that was one funny post, even if I don't share your distaste for Sorabji's music!

Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #102 on: February 20, 2011, 07:56:23 PM
@Thalbergmad, that was one funny post, even if I don't share your distaste for Sorabji's music!

Honestly, that is not the case. I just cannot resist a swipe sometimes.

Thal
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Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #103 on: February 20, 2011, 08:02:34 PM
They were scattered about the auditorium, so it's a little hard to give a good estimate.

No doubt, some of the scattered audience were page turners. I heard that due to strict union working time directives, 26 were required.

In addition, there were probably at least 6 doorman stopping people from leaving, a sleeping bag salesman and the beardroom attendant.

Thal
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Offline djealnla

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Re: Ian Pace on Sorabji
Reply #104 on: February 21, 2011, 06:44:15 AM
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Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #105 on: February 21, 2011, 08:33:24 AM
That is true.

I could not stop a Grand Piano rolling off a stage with one hand, nor could I get that many creases in my pants.

Having said that, I have played to an audience of 25 people, so at least I am equal in one sense.

Thal
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Offline retrouvailles

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Re: Ian Pace on Sorabji
Reply #106 on: February 22, 2011, 12:56:45 AM
The fact that only 25 people showed up to Jonathan Powell's recital just shows how sad the state of affairs in the arts is in whatever venue he performed in. If he were to perform here, the audience would be much, much larger. People love recitals like his here.

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #107 on: February 22, 2011, 05:13:48 AM
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Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #108 on: February 22, 2011, 08:28:27 AM
The fact that only 25 people showed up to Jonathan Powell's recital just shows how sad the state of affairs in the arts is in whatever venue he performed in.

This is true, but on the other hand it is pleasing that such a top notch pianist would dedicate so much of his time to playing lesser known composers and unperformed works.

No doubt Mr Powell would play in front of much larger audiences if he were to perform Beethoven Sonatas, Liszt transcriptions and Chopin Etudes, but thank gawd he don't.

Thal
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Offline gep

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Re: Ian Pace on Sorabji
Reply #109 on: February 22, 2011, 09:58:35 AM
This is true, but on the other hand it is pleasing that such a top notch pianist would dedicate so much of his time to playing lesser known composers and unperformed works.

No doubt Mr Powell would play in front of much larger audiences if he were to perform Beethoven Sonatas, Liszt transcriptions and Chopin Etudes, but thank gawd he don't.

Thal
I think JP does play that, but I can only fully agree with what you write! One must thank all those musicians, and not to forget venue directors and CD label managers, who dedicate themselves more to presenting the unknwon and/or unusual rather than that what makes the quickest/greatest buck. All too often the BigNames of music play music in a total uninterested way that all but kills the music, to the raving delight of an audience that comes to hear BigName play, and not what BigName plays...

all best,
gep
In the long run, any words about music are less important than the music. Anyone who thinks otherwise is not worth talking to (Shostakovich)

Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #110 on: February 22, 2011, 12:05:08 PM
I can only fully agree with what you write!

WHAT?????
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Offline ahinton

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Re: Ian Pace on Sorabji
Reply #111 on: February 22, 2011, 01:30:52 PM
WHAT?????
I appear to be one of the very few forum members (apart from Mr Powell himself) who was present at his NYC OC and, whilst I did not count the audience number on that occasion, it was certainly far close to the upper than the lower figure put forward here and, for the record, was broadly the same at the end as it was at the beginning of the performance.

Best,

Alistair
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The Sorabji Archive

Offline gep

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Re: Ian Pace on Sorabji
Reply #112 on: February 22, 2011, 06:20:21 PM
WHAT?????
Perhaps I should have given you a warning before posting my, clearly shocking, message? ;) I do recall you agreeing with me on occasion. I'm still haven't entirely recovered, so I feel your pain... ;D

all best,
gep

In the long run, any words about music are less important than the music. Anyone who thinks otherwise is not worth talking to (Shostakovich)

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #113 on: February 22, 2011, 06:56:12 PM
Perhaps I should have given you a warning before posting my, clearly shocking, message? ;) I do recall you agreeing with me on occasion. I'm still haven't entirely recovered, so I feel your pain...
If that shock has affected Thal in a cardiac way, perhaps he needs a Pacemaker fitted.

Best,

Alistair
Alistair Hinton
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The Sorabji Archive

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #114 on: February 25, 2011, 08:00:30 PM
In absolutely no way does such a tautological and obvious statement conform to what was originally insinuated in response to my relaying of Ian Pace's failure (not that it's a failure, and I would consider it a failure on his part if he did bother to respond, considering the vacuity permeating this thread).

Should I really bother to point out the unbelievable hypocrisy of this post?

Offline gep

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Re: Ian Pace on Sorabji
Reply #115 on: March 25, 2011, 02:53:45 PM
I wonder if there has been any further elaborations from Mr. Pace, terribly smart person and friend of John11inch? Seems gone awfully quiet....

Quote
Should I really bother to point out the unbelievable hypocrisy of this post?
Hardly, since it's so obvious....

Quote
It is a fact that Sorabji had misogynistic views; whether they were as strong as one might infer from only being familiar with the documents that specifically deal with it doesn't detract from the fact that he was a misogynist.
Only with certain women, I think...

Quote
Sorabji's music is extremely self-reverential, in my opinion.
Some people's posts here too....

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Qualifying that his music somehow has a misogynistic aspect to it is incredibly difficult to do, but I think it is intuitively obvious that there is a strong possibility of such,
Err, why???
Quote
given that there are many things that one could point to in order to quasi-substantiate such a view. 
Upon which you proceed by giving none.

Quote
Frankly, Ian Pace is a terrifyingly smart person
If you say so, he must have an IQ of 400 at least!

Oh well, almost weekend, so let's wrap up here...

gep
In the long run, any words about music are less important than the music. Anyone who thinks otherwise is not worth talking to (Shostakovich)

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #116 on: March 25, 2011, 09:20:28 PM
Gep - I wouldn't waste a millisecond worrying about it if I were you; Ian Pace's involvement in the ongoing history of the dissemination and subsequent appreciation of Sorabji's work is hardly a mater of significance - nor do I imagine that he would wish it to be so. Mr Pace has nothing of importance to tell us about Sorabji, as what little he has sought to tell some people about him demonstrates admirably. What matters - indeed, all that matters - is the music of Sorabji and the effect that it has in its listeners, not what Mr Pace or anyone else with some irrelevant agenda might have to say about it.

What would you rather do - read the heavily biased and "self-referential" lucubrations of Mr Pace on Sorabji or listen to Sorabji's music in fine performances? What a silly question and how patently obvious the answer?!

Best,

Alistair
Alistair Hinton
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The Sorabji Archive

Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #117 on: March 25, 2011, 09:38:59 PM
lucubrations

Yet again I find myself getting my dictionary off the shelf.

You would have made an excellent contestant on Call My Bluff.

Thal
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Offline ahinton

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Re: Ian Pace on Sorabji
Reply #118 on: March 25, 2011, 10:23:41 PM
Yet again I find myself getting my dictionary off the shelf.
Dictionaries are of little use to their owners if they remain permanently on the shelves upon which those owners choose to place them, so I'd not worry unduly about that it I were you.

You would have made an excellent contestant on Call My Bluff.
I'm old enough to recall that programme and, whilst I appreciate the compliment, I fear that I would have done no such thing, actually...

Anyway - see you at Schott's on 16 April, hopefully; life is a cabaret, young Thal (even if evidence of that fact is. on that occasion, to be preambled by a paraphrastic reference to a certain Robert Schumann)...

Best,

Alistair
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #119 on: March 25, 2011, 10:54:45 PM
undult

Can't find this one though.

Thal
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Offline ongaku_oniko

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Re: Ian Pace on Sorabji
Reply #120 on: March 25, 2011, 10:58:19 PM
Thalbergmad and Ahinton act like a bunch of girls in love if theyre together on a thread, and our dear (late) Pianistimo was in state of heavenly gibberish all the time.

Gyzzzmo

*nod nod*

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #121 on: March 25, 2011, 11:33:54 PM
*nod nod*
Yes - it's probably time for you to nod off if you've not already done so; neither Thal nor I are "actors", nor is either one of us a part of any kind of "bunch", nor have "girls in love" any connection with anything that you might be trying to write about either of us here and, as to "pianistimo", I have no evidence of her death so would not presume that any use of the term "late" in respect of her is appropriate, let alone correct, irrespective of the arguably gibberish nature of some of her many so many past posts. OK, you are here quoting the egregious "gyzzzmo" (whose tally of "z"s is admittedly already more than enough to prompt anyone to nod off) rather than offering up your own personal sentiments, but it seems nevertheless appropriate to question the validity and/or usefulness of your so doing.

What any of this has to do with Ian Pace - let alone Sorabji - is, however quite beyond me.

Best,

Alistair
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline ongaku_oniko

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Re: Ian Pace on Sorabji
Reply #122 on: March 25, 2011, 11:54:28 PM
Yes - it's probably time for you to nod off if you've not already done so; neither Thal nor I are "actors", nor is either one of us a part of any kind of "bunch", nor have "girls in love" any connection with anything that you might be trying to write about either of us here and, as to "pianistimo", I have no evidence of her death so would not presume that any use of the term "late" in respect of her is appropriate, let alone correct, irrespective of the arguably gibberish nature of some of her many so many past posts. OK, you are here quoting the egregious "gyzzzmo" (whose tally of "z"s is admittedly already more than enough to prompt anyone to nod off) rather than offering up your own personal sentiments, but it seems nevertheless appropriate to question the validity and/or usefulness of your so doing.

What any of this has to do with Ian Pace - let alone Sorabji - is, however quite beyond me.

Best,

Alistair
Just remember, sesquipedalian pleonasm does not imply eloquence or sophistication. :)

How any of this relates to the topic? I guess it's worth as much as Ian Pace's opinions.

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #123 on: March 26, 2011, 02:12:22 AM
Just remember, sesquipedalian pleonasm does not imply eloquence or sophistication. :)

How any of this relates to the topic? I guess it's worth as much as Ian Pace's opinions.

Get out, you silly ass. Your bullcrap is of interest to no one.

Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #124 on: March 26, 2011, 02:35:23 AM
OHHHH, i do love bossy women.

Thal
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Offline djealnla

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Re: Ian Pace on Sorabji
Reply #125 on: March 26, 2011, 02:51:09 AM
OHHHH, i do love bossy women.

Thal

Should I send you the link to my YouTube channel, then? ::)

Offline ongaku_oniko

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Re: Ian Pace on Sorabji
Reply #126 on: March 26, 2011, 04:09:17 AM
Get out, you silly ass. Your bullcrap is of interest to no one.
Thank you for your kind words.

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #127 on: March 26, 2011, 06:55:36 AM
Thank you for your kind words.

You're welcome.

In the meantime, why not read the following article, which shows that Alistair is fully capable of writing in a concise and intelligible way?

https://www.sorabji-archive.co.uk/articles/hinton-who_1.php

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #128 on: March 26, 2011, 08:05:08 AM
Just remember, sesquipedalian pleonasm does not imply eloquence or sophistication. :)
Why especially would I need to remember something that is already too obvious even to require mention? - and what relevance does that fact have to the text to which you responded with it?

How any of this relates to the topic?
Hardly at all, of course - so we obviously agree there; I cannot, however, change what gyzzzmo wrote into something that is on-topic, so any reasonable response to it is likely to be as off-topic as what gyzzzmo had written.

I guess it's worth as much as Ian Pace's opinions.
The right to such guesswork is yours alone! That said, it has already been clarified that suchever opinions as Mr Pace may have about Sorabji - whatever they may or may not otherwise be worth - are not founded upon personal contact or correspondence with him or upon the experience of preparing and performing his music.

Best,

Alistair
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #129 on: March 26, 2011, 08:08:28 AM
Should I send you the link to my YouTube channel, then? ::)
Oh, you could do even better than that; you could post it here. I have no doubt that Thal would be delighted!

Best,

Alistair
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #130 on: March 26, 2011, 08:10:26 AM
OHHHH, i do love bossy women.
For what particular reason/s? Whilst I realise that your answer would be off-topic, I'm sure that readers of this thread would nevertheless be interested in it.

Best,

Alistair
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline ongaku_oniko

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Re: Ian Pace on Sorabji
Reply #131 on: March 26, 2011, 01:00:49 PM
1. None of the posts after mine are on topic. Neither are the two posts immediately above my first post here, one of which is yours.

Why don't you say that you're off topic yourself, or the people who are on your side? Don't be a filthy hypocrit

2. Why are you arguing against the quote literally? Are you not intelligent enough to realize that it wasn't meant to be understood literally? Do you really think that I was trying to say you and thal are "actors"?

Or are you purposely pretending to be stupid to avoid the key point, which is that you and thal go on and on about nothing?

Or are you simply trying to show off your writing?

3. I never said ahinton isn't capable of clear and concise writing. And this is exactly why I wrote my second reply here; language is a form of communication. If you can communicate properly but choose not to, that's just sad. Why would you try to show off your writing on an internet forum? This isn't poetry class, there's no point in making people get a dictionary or at least read a few times to understand what you're saying. Clearly you're only doing this to show off, which is meaningless and childish.

4. What is the topic?

Whether you agree with Ian Pace's stance on Sorabji's music?

It would be better titled "What do you think of Sorabji's music", since essentially people would like his music will like it, and people who don't won't. It has nothing to do with Ian Pace.

Or is the topic What is Ian Pace's stance on Sorabji's music?

How would you know, unless he told you? And if he has told you, what is there to argue about? And why does it even matter?

Or is the topic Is Ian Pace's stance on Sorabji's music justified?

But most human thoughts and actions are not justified. For example, reasonable people would not start swaering at a random stranger.

And whether it is justified or not has nothing to do with sorabji's music. Those who like it will still like it, those who won't still won't.


The only productive discussion that can come from this is discusing whether Sorabj's music itself is worth listening to. Which, of course, has nothing to do with Ian Pace.

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #132 on: March 26, 2011, 05:40:41 PM
1. None of the posts after mine are on topic. Neither are the two posts immediately above my first post here, one of which is yours.

Why don't you say that you're off topic yourself, or the people who are on your side? Don't be a filthy hypocrit
I would have thought that this would be stating the b******g obvious. What you mean by those who are "on my side" I do not know in the present context. I will ignore your compliment.

2. Why are you arguing against the quote literally? Are you not intelligent enough to realize that it wasn't meant to be understood literally? Do you really think that I was trying to say you and thal are "actors"?
It wasn't even you doing the saying; it was gyzzzmo. Please try therefore to to avoid crediting yourself, even if only by implication, with what someone else has written. The point that gyzzzmo was making - if indeed there was one - is less than clear whether or not what he wrote is interpreted literally, so the manner of interpretation appears not to make a whole lot of difference.

Or are you purposely pretending to be stupid to avoid the key point, which is that you and thal go on and on about nothing?
I am not pretending anything, nor being stupid, nor avoiding this "key point" that you mention (which is hardly surprising, since there isn't one). What Thal or i might write about might not appeal to you, but that's up to you.

Or are you simply trying to show off your writing?
Insofar as what I and anyone else writes here is available to by read by anyone else who cares to do so, we're all "showing off our writing" in some way and to some degree.

3. I never said ahinton isn't capable of clear and concise writing. And this is exactly why I wrote my second reply here; language is a form of communication. If you can communicate properly but choose not to, that's just sad. Why would you try to show off your writing on an internet forum? This isn't poetry class, there's no point in making people get a dictionary or at least read a few times to understand what you're saying. Clearly you're only doing this to show off, which is meaningless and childish.
Your confused use of pronouns and names here muddies the waters in terms of whom who're talking about and whom you're addressing. That said, if someone - anyone, including me - needs occasional recourse to a dictionary, what's the harm in that? You surely cannot expect everyone to have a precisely identical vocabulary range!

4. What is the topic?

Whether you agree with Ian Pace's stance on Sorabji's music?

It would be better titled "What do you think of Sorabji's music", since essentially people would like his music will like it, and people who don't won't. It has nothing to do with Ian Pace.

Or is the topic What is Ian Pace's stance on Sorabji's music?
Read it and decide for yourself. Clearly, whichever way you or anyone might choose to interpret in and comment upon it, it involves Sorabji the mane and his work and Ian Pace's views thereon. It has to do with Ian Pace insofar as his views on Sorabji might be quoted and discussed in this thread, which is surely a perfectly legitimate thing to do under such a thread title. It is true that the fact that one's own views of Sorabji's work, be they positive or negative, are "nothing to do with Ian Pace", but that is hardly the point.

How would you know, unless he told you? And if he has told you, what is there to argue about? And why does it even matter?
Ian pace has written about Sorabji the man and his work on occasion, so what is known is what can be discovered from reading his writings; he doesn't actually have to have "told" anyone what he thinks. Ian Pace's views on Sorabvji presumably matter to him; they might matter to some others, whether or not they agree with any or all of them.

Or is the topic Is Ian Pace's stance on Sorabji's music justified?
A discussion of the subject of Ian Pace's views on Sorabji could well include views on whether and to what extent those views might be justified, yes.

But most human thoughts and actions are not justified. For example, reasonable people would not start swaering at a random stranger.
When Ian Pace starts swearing(sp.) at random strangers when pouring forth his views about Sorabji, one might be able to consider this on-topic. The question of which human thoughts and action are justified is an immense one and the anwers will inevitably vary greatly from one observer to another.

And whether it is justified or not has nothing to do with sorabji's music. Those who like it will still like it, those who won't still won't.
So you don't allow any room for people changing their minds about anything, then?

The only productive discussion that can come from this is discusing whether Sorabj's music itself is worth listening to. Which, of course, has nothing to do with Ian Pace.
No, it doesn't - but since Ian Pace is part of the thread topic, answers that totally ignore him and his views surely fall short of what might reasonably be expected in a discussion of this particular thread topic.

Best,

Alistair
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #133 on: March 26, 2011, 05:45:26 PM
What is the topic?

Whether you agree with Ian Pace's stance on Sorabji's music?

It would be better titled "What do you think of Sorabji's music", since essentially people would like his music will like it, and people who don't won't. It has nothing to do with Ian Pace.

Or is the topic What is Ian Pace's stance on Sorabji's music?

How would you know, unless he told you? And if he has told you, what is there to argue about? And why does it even matter?

Or is the topic Is Ian Pace's stance on Sorabji's music justified?

But most human thoughts and actions are not justified. For example, reasonable people would not start swaering at a random stranger.

And whether it is justified or not has nothing to do with sorabji's music. Those who like it will still like it, those who won't still won't.


The only productive discussion that can come from this is discusing whether Sorabj's music itself is worth listening to. Which, of course, has nothing to do with Ian Pace.

This is some of the most atrocious sophistry I have ever seen on this site. However, I'm sure John will gladly deal with it in his forthcoming 26-paragraph response, where he will also quote Wittgenstein, Eco and Derrida at least 50 times. ::)

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #134 on: March 26, 2011, 05:46:57 PM

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #135 on: March 26, 2011, 05:49:35 PM
So you don't allow any room for people changing their minds about anything, then?

No reference to Sorabji's famous statement about changing one's mind? :o

Offline ongaku_oniko

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Re: Ian Pace on Sorabji
Reply #136 on: March 26, 2011, 06:16:35 PM
You know what? Since I'm having such a terrible day I guess I'll just let it all out here.


*In process of editing*

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #137 on: March 26, 2011, 06:33:11 PM
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #138 on: March 26, 2011, 06:34:27 PM
No reference to Sorabji's famous statement about changing one's mind? :o
That statement has already been made - even in this thread somewhere, I believe (but cannot be bothered to check) - so I didn;t want to rub it in by repeating it, relevant as it is in the present context.

Best,

Alistair
Alistair Hinton
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The Sorabji Archive

Offline ahinton

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Re: Ian Pace on Sorabji
Reply #139 on: March 26, 2011, 06:35:30 PM
You know what? Since I'm having such a terrible day I guess I'll just let it all out here.


*In process of editing*
And will that be principally on-topic or off-topic?

Sorry to hear about your day, though; it can surely only get better...

Best,

Alistair
Alistair Hinton
Curator / Director
The Sorabji Archive

Offline ongaku_oniko

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Re: Ian Pace on Sorabji
Reply #140 on: March 26, 2011, 06:58:44 PM
Since there has been multiple posts after mine, I'll just post it as a new post.

I would have thought that this would be stating the b******g obvious. What you mean by those who are "on my side" I do not know in the present context. I will ignore your compliment.
Again, you are pretending to be an idiot. It is clear that "on my side" refers to the people who are, on your side. Or are you really incapable of comprehending the fact that besides literal meanings, words can also have figurative meanings, or be used a metaphors and examples?

On your side clearly means the people who agree with you, or the people who support you. I don't believe any person who can write such complicated sentences, and indeed, anyone who can read a picture book isn't capable of understanding such a clear phrase.

Also, I must say, multiple posting is the most typical act of spammers, and to not even have one of those posts be on topic, I really don't think you have the right to say anyone else is off topic.

I will ignore your compliment
But this sentence explains it all; You've got nothing to argue against my point, so you have to take such desperate measures to avoid this argument. I might as well say "I will ignore your compliment" to your whole post, but I feel like ranting today.

If stating the fact that your own posts are off topic was "obvious", why would it be any different for mine? Why do you take the initiative of commenting on how my post was off topic? Why not any of the people who are ON YOUR SIDE? Because they didn't criticize you?


It wasn't even you doing the saying; it was gyzzzmo. Please try therefore to to avoid crediting yourself, even if only by implication, with what someone else has written. The point that gyzzzmo was making - if indeed there was one - is less than clear whether or not what he wrote is interpreted literally, so the manner of interpretation appears not to make a whole lot of difference.


Again, off topic red herring. It doesn't matter who said what, that doesn't lower the value of the statement itself. But the fact is, my quoting of gyzzzmo's words shows two things:

1. I clearly intended to credit gyzzzmo, or else I wouldn't have quoted what he said, and just said it myself.

2. I clearly agree with what he said, which was why I quoted it in the first place. I'm not crediting myself with coming up with those words, but I am certainly trying to make the same point he was making; or am I not allowed to agree with him? What he wrote wasn't poetry or anything sophisticated; it is clear on how to interpret it. But I understand, you can't comprehend the fact that the meanings of individual words have slight variations, and you can't just put a dictionary definition of each of the words in the sentence together to get the true meaning.

You clearly were responding to me with your post, which means you were arguing against me, my values and my opinions. Thus, I am responding from my perspective. If I happen to agree with gyzzzmo, that doesn't mean I'm stealing his statement and giving credit to myself. Such a notion is laughable.

I am not pretending anything, nor being stupid, nor avoiding this "key point" that you mention (which is hardly surprising, since there isn't one). What Thal or i might write about might not appeal to you, but that's up to you.

I even pointed out my point, which you convienently chose to ignore and say there is no point.

What I write might not appeal to you, but that's up to you.

Insofar as what I and anyone else writes here is available to by read by anyone else who cares to do so, we're all "showing off our writing" in some way and to some degree.

Ignoring my argument.

Your confused use of pronouns and names here muddies the waters in terms of whom who're talking about and whom you're addressing. That said, if someone - anyone, including me - needs occasional recourse to a dictionary, what's the harm in that? You surely cannot expect everyone to have a precisely identical vocabulary range!

Ad hominem attack. Whether I write with perfect grammar or not does not lessen my argument. No one is expecting everyone to have the same vocabulary. After all, there are many professional jargon that only professionals know. However, for the purpose of a forum such as this, there is basically no need to use any complicated words that other people wouldn't understand to get your point across. You can just as easily use simpler words. In fact, it may be easier. But you choose not to, and instead write wordy sentences, which makes me think that you are trying to show off your writing.

But obviously you're not showing off your intelligence.

Read it and decide for yourself. Clearly, whichever way you or anyone might choose to interpret in and comment upon it, it involves Sorabji the mane and his work and Ian Pace's views thereon. It has to do with Ian Pace insofar as his views on Sorabji might be quoted and discussed in this thread, which is surely a perfectly legitimate thing to do under such a thread title. It is true that the fact that one's own views of Sorabji's work, be they positive or negative, are "nothing to do with Ian Pace", but that is hardly the point.

Just as well, you can quote my views on Sorabji, or even gyzzzmo's, although I'm not sure what the point would be. Similarly, there isn't a point in purely discussing about Ian Pace's views. It is much more productive to just discuss about Sorabji's music, and in the process bring in some comments from other musicians, which may or may not be Ian Pace.

Ian pace has written about Sorabji the man and his work on occasion, so what is known is what can be discovered from reading his writings; he doesn't actually have to have "told" anyone what he thinks. Ian Pace's views on Sorabvji presumably matter to him; they might matter to some others, whether or not they agree with any or all of them.

Again, you resort to a literal reading of my words. "Told" does not have to be him using his voice to say directly to someone. Written work counts as well.

Either way, there is no argument on what he thinks, if he thinks it he thinks it. What productive discussion can come from that?

"Mr. Ian Pace thinks x"

"I agree with Mr. Pace"

"I disagree"

/thread

*The above is an example, not to be taken literally. So please, don't say "I have no idea what x is, so I can't comment on whether Ian Pace believes in x or not, or something to that effect.*

So you don't allow any room for people changing their minds about anything, then?

Again, you take the literal meaning of my quote. Clearly people's opinions can change. But it doesn't change simply because someone thinks something. Or at least it shouldn't.

A change in perspectives and opinions can occur with a productive discussion. Discussing whether a believes b is not (see example above)


Basically, all you've done is red herring across my arguments and use ad hominem attacks against me and my writing. You've not cleared yourself of the FACT that you're both a hypocrit who goes off topic himself but does not allow others to do so, and a show off spammer with nothing significant to say, other than using a plethora of logical fallacies to argue against something that was not said, all to show that you have good writing skills, which I must admit.


On the other hand, I really have nothing to say to djealnla. Not only does this person only use ad hominem, but even their writing is unsophisticated and dull. But I guess that's why this person faithfully follows you, ahinton (again, not literal). Those with no intelligence do follow like sheep.

Offline gep

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Re: Ian Pace on Sorabji
Reply #141 on: March 26, 2011, 07:27:27 PM
I seem to have thrown the cudgel in the henhouse, as we say here (if not in English)....

Quote
Gep - I wouldn't waste a millisecond worrying about it if I were you;
Well, I don’t, as I am sure you know, worry about this! I merely wrote my message to kinda refer to the rather reveiling silence from Mr.Pace by way of Mr. 11inch (with whom ongaku_oniko seems to have some linguistical connections). Sesquipedalian? Wow, I had to look up on that polysyllabical lucubration!  Of course, liking organ music, something a foot-and-a-half doesn’t really scare me…
As on Pace vs Sorabji, I think I have seen quite enough of his attacks on Sorabji’s person, without ever adding one iota of solid evidence (whilst promising to deliver that “as soon as time permits”) to say that Mr. Pace seems to have at least some of the faults he accuses Sorabji of having. It does not worry me, really. I have heard the music of Sorabji; I have heard the playing of Ian Pace. The choice is not at all that hard… (Staggering technique doesn’t make one a staggering musician!).
Mind you, I am not an uncritical admirer of Sorabji the person. I think he had his faults. I damns sure know I have mine. What matters in listening to his music, is listening to his music. Whatever he may or may not have been as a person has nothing to do with his music. Music is “shaped sound”, and carries no message about its maker beyond the music. (What does the whole of Mozart’s music tell you about the person Mozart? Can you deduce his preferred type of meal? What he thought of monarchy? His views on women? Does his relation with his father show up in his music (not the texts or libretti he set, the music)). Nothing whatsoever. Music is always solely music (Stravinsky said something like “music cannot express anything”). Sorabji’s music “self-reverential”? Explain, please. His music indulges in itself? So what about Mahler’s, Pettersson’s. What about Stockhausen, for that matter? And if it does, so what!?

So I think I let Mr. Pace on Sorabji(‘s music) be, and turn my attention (well, it is already turned there!) more to Mr. Powell on Sorabji(‘s music), or Mr. Bowyer on Sorabji(‘s music). As to the person Sorabji, there’s always Sean Owen’s oral biography, which Mr. Pace probably hasn’t read, or cares to read…

Enjoy discovering!

All best,
gep
In the long run, any words about music are less important than the music. Anyone who thinks otherwise is not worth talking to (Shostakovich)

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #142 on: March 26, 2011, 08:59:24 PM
Music is always solely music (Stravinsky said something like “music cannot express anything”).

While that is undoubtedly true, let's keep in mind that Schoenberg said "music expresses all that is within us".

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #143 on: March 26, 2011, 09:03:48 PM
You've not cleared yourself of the FACT that you're both a hypocrit [sic] who goes off topic himself but does not allow others to do so, and a show off spammer with nothing significant to say, other than using a plethora of logical fallacies to argue against something that was not said, all to show that you have good writing skills, which I must admit.

Just get out. Your posts are worthless, restless yet vacuous, and you are the one who for no reason posted a completely irrelevant quotation in this topic.

Offline thalbergmad

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Re: Ian Pace on Sorabji
Reply #144 on: March 26, 2011, 09:05:39 PM
Since there has been multiple posts after mine, I'll just post it as a new post.
Again, you are pretending to be an idiot. It is clear that "on my side" refers to the people who are, on your side. Or are you really incapable of comprehending the fact that besides literal meanings, words can also have figurative meanings, or be used a metaphors and examples?

On your side clearly means the people who agree with you, or the people who support you. I don't believe any person who can write such complicated sentences, and indeed, anyone who can read a picture book isn't capable of understanding such a clear phrase.

Also, I must say, multiple posting is the most typical act of spammers, and to not even have one of those posts be on topic, I really don't think you have the right to say anyone else is off topic.
But this sentence explains it all; You've got nothing to argue against my point, so you have to take such desperate measures to avoid this argument. I might as well say "I will ignore your compliment" to your whole post, but I feel like ranting today.

If stating the fact that your own posts are off topic was "obvious", why would it be any different for mine? Why do you take the initiative of commenting on how my post was off topic? Why not any of the people who are ON YOUR SIDE? Because they didn't criticize you?


Again, off topic red herring. It doesn't matter who said what, that doesn't lower the value of the statement itself. But the fact is, my quoting of gyzzzmo's words shows two things:

1. I clearly intended to credit gyzzzmo, or else I wouldn't have quoted what he said, and just said it myself.

2. I clearly agree with what he said, which was why I quoted it in the first place. I'm not crediting myself with coming up with those words, but I am certainly trying to make the same point he was making; or am I not allowed to agree with him? What he wrote wasn't poetry or anything sophisticated; it is clear on how to interpret it. But I understand, you can't comprehend the fact that the meanings of individual words have slight variations, and you can't just put a dictionary definition of each of the words in the sentence together to get the true meaning.

You clearly were responding to me with your post, which means you were arguing against me, my values and my opinions. Thus, I am responding from my perspective. If I happen to agree with gyzzzmo, that doesn't mean I'm stealing his statement and giving credit to myself. Such a notion is laughable.
I even pointed out my point, which you convienently chose to ignore and say there is no point.

What I write might not appeal to you, but that's up to you.
Ignoring my argument.
Ad hominem attack. Whether I write with perfect grammar or not does not lessen my argument. No one is expecting everyone to have the same vocabulary. After all, there are many professional jargon that only professionals know. However, for the purpose of a forum such as this, there is basically no need to use any complicated words that other people wouldn't understand to get your point across. You can just as easily use simpler words. In fact, it may be easier. But you choose not to, and instead write wordy sentences, which makes me think that you are trying to show off your writing.

But obviously you're not showing off your intelligence.
Just as well, you can quote my views on Sorabji, or even gyzzzmo's, although I'm not sure what the point would be. Similarly, there isn't a point in purely discussing about Ian Pace's views. It is much more productive to just discuss about Sorabji's music, and in the process bring in some comments from other musicians, which may or may not be Ian Pace.
Again, you resort to a literal reading of my words. "Told" does not have to be him using his voice to say directly to someone. Written work counts as well.

Either way, there is no argument on what he thinks, if he thinks it he thinks it. What productive discussion can come from that?

"Mr. Ian Pace thinks x"

"I agree with Mr. Pace"

"I disagree"

/thread

*The above is an example, not to be taken literally. So please, don't say "I have no idea what x is, so I can't comment on whether Ian Pace believes in x or not, or something to that effect.*
Again, you take the literal meaning of my quote. Clearly people's opinions can change. But it doesn't change simply because someone thinks something. Or at least it shouldn't.

A change in perspectives and opinions can occur with a productive discussion. Discussing whether a believes b is not (see example above)


Basically, all you've done is red herring across my arguments and use ad hominem attacks against me and my writing. You've not cleared yourself of the FACT that you're both a hypocrit who goes off topic himself but does not allow others to do so, and a show off spammer with nothing significant to say, other than using a plethora of logical fallacies to argue against something that was not said, all to show that you have good writing skills, which I must admit.


On the other hand, I really have nothing to say to djealnla. Not only does this person only use ad hominem, but even their writing is unsophisticated and dull. But I guess that's why this person faithfully follows you, ahinton (again, not literal). Those with no intelligence do follow like sheep.

What the hell are you on about??
Curator/Director
Concerto Preservation Society

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #145 on: March 26, 2011, 09:16:18 PM
On the other hand, I really have nothing to say to djealnla. Not only does this person only use ad hominem, but even their writing is unsophisticated and dull. But I guess that's why this person faithfully follows you, ahinton (again, not literal). Those with no intelligence do follow like sheep.

Yeah, I'm sooooo foolish. ::) Which is clearly reflected in the fact that my IQ is somewhere between 135-145, as well as the fact that I have a memory virtually everybody who knows me personally is afraid of. Calling me a sheep and a person with no intelligence while having nothing to substantiate your claim with is an ad hominem argument, you self-righteous fool. I also hope you provide evidence that my writing is "unsophisticated" and "dull". So my writing is bland, whereas Alistair's is the verbal equivalent of "noise"? It's becoming quite clear you are the only hypocrit [sic] around here.

Nils, please do your job.

Offline stevebob

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Re: Ian Pace on Sorabji
Reply #146 on: March 26, 2011, 09:20:35 PM
Nils, please do your job.

What she said.

In the meantime, it might be advisable not to feed the troll.
What passes you ain't for you.

Offline djealnla

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Re: Ian Pace on Sorabji
Reply #147 on: March 26, 2011, 09:30:13 PM
In the meantime, it might be advisable not to feed the troll.

Nobody is feeding anyone, as far as I can see. We are merely purging this site of stupidity. Especially the kind of stupidity our comrade "ongaku_oniko" has been exhibiting in this thread.

Offline ongaku_oniko

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Re: Ian Pace on Sorabji
Reply #148 on: March 26, 2011, 09:34:08 PM
Stevebob, you're calling me a troll? What me to link you to all the posts you've made that either only has a single quote with nothing else, or a quote with "No comment" after it?


djealnla:
You were the one who started attacking me. I claim that you do not have intelligence because you have nothing to back up your claims. All you did was swear at me, and praise ahinton. What else am I supposed to get from that? You say you have a high IQ and a good memory. If you do, that's great. But you're the one with no proof of your claims, not me.

I do agree, I am, at times, hypocritical. I try not to be. But I admit that I am. Unlike some other people around here.

Clearly I wasn't the one who started using unclean words. Nor was I the first person to be off topic. What do you have against me? Why am I not allowed to express my opinion, while others (who happen to agree with you) are? Explain to me this logic, and I will leave.

Otherwise I will not allow you to attack me with logical fallacies and pretend as if you were right.

Offline stevebob

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Re: Ian Pace on Sorabji
Reply #149 on: March 26, 2011, 09:37:03 PM
Nobody is feeding anyone, as far as I can see. We are merely purging this site of stupidity. Especially the kind of stupidity our comrade "ongaku_oniko" has been exhibiting in this thread.

How, then, are we "purging this site of stupidity"?  Such ignorance, insolence, arrogance and abuse certainly haven't been limited to this thread.  I'm now convinced that any interaction with, or response to, this person constitutes the feeding of a voracious troll.
What passes you ain't for you.
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