When I listen to Mussorgsky*, I actually get angry at him for drinking himself into early decline and death, and depriving us of his beautiful music.
--s.
* the spelling on the nearest recording of Boris Gudonov
The transliteration of Russian names is always a bit tricky, but I think I've seen the double-s (as in Mussorgsky) the most. The Russian original spells Мýсoргский, so Musorgsky seems the most logical, though. Perhaps the -ss- makes the pronounciation more close to the Russian?
It is indeed a pity he didn't finish more of his opera's, and a lot of what he did finish was then 'improved' by others (such as the Boris Godunov).
I for one wouldn't have minded if Taneyev had lived to ripe old age, and given us a few more of his wonderful chamberworks. The Piano Quintet op. 30 is surely a masterpiece!
And as for composers who didn't (or couldn't) justify their talents and Russia, think of all the talent that has gone to waste in the Soviet Union between 1917 and 1990. Think about Nosyrev, to name just one.
McCartney post-Beatles
Surely not the "McCartney goes classic". I've heard a thing or two, and, err, yuk!
A fate not dissimilar to those that befell the French composer Albéric Magnard near the beginning of WWI and the Austrian Anton Webern near the close of WWII, each of whose premature loss of life denied us quite a lot more music.
Yes, had Webern lived for, say, 30 more years, we would have had perhaps a whole 40 minutes more music! I fear I'm not much of a Webern fan (my loss, for sure). Still, a great pity that smoking for him turned out to be very lethal indeed! As for Magnard, I would indeed have liked to find out where he might have travelled, had he lived longer.
And I would have loved to learn the orchestral music of Alkan. A few symphonies, say...
all best,
Gijs