Did you ever, at one time, make the generalization that all slow pieces were easy?
Common beginner mistake No 2. Some people hold it well into their advanced years, though.Slow pieces are as hard, and frequently harder than fast ones, and there are often fewer places to hide.
Damn, you quoted my embarrassing grammar mistake.
What's the common beginner mistake No. 1? Overestimating oneself?
Thinking that somewhere around grade 8 they'll have mastered it and be able to play everything.
Hey remember that thread I made where this guy caught every STD because he passed grade 8 and thought he was on so he tried Prokofiev's second piano concerto?Ah, the good times...
Hey remember that thread I made where this guy caught every STD because he passed grade 8 and thought he was on so he tried Prokofiev's second piano concerto?
Rach_forevs, could you elaborate? It sounds like a very amusing story, and full of lessons.
But didn't you try the Rach concerto, rach? Sometimes if you love something, you just gotta go for it, and you learn stuff either way.
I do a little bit every day. It's like taking vitimans.
you know any of it yet?
A few pages.
Does anyone know any good sets of etudes where there are only a few?(less than 12)
Have you got one of these?
I've never actually tried any of those, though the idea appeals in many ways. The issue I have is that you are locked in to an orchestral interpretation that you pretty much have to live with. Even if you have different ideas. I know some conductors can be dictatorial, but even the worst have to allow a little flexibility.
I've come across a few pianists that could play solo just fine, even in time with a metronome.. but absolutely failed to keep in time with other musicians and the tempo fluctuations by listening to the music.
I would probably like to have a few different ones..also, don't know what rach's experience is as far as playing with other musicians.. or if he's ever played with an orchestra.. and the piece kind of lacks something without one.. I've come across a few pianists that could play solo just fine, even in time with a metronome.. but absolutely failed to keep in time with other musicians and the tempo fluctuations by listening to the music.
If you're famous enough, the orchestra has to keep in time with you, and the public blame them if they don't.EDIT: How famous that is depends on the orchestra in question. No-one is famous enough for the BPO.
Although Lisitsa's 3rd Rach was a disaster-imo...When she practiced solo she used ques like tam tam and dam dam when the orchestra hits were important. It was very helpful.