Home
Piano Music
Piano Music Library
Top composers »
Bach
Beethoven
Brahms
Chopin
Debussy
Grieg
Haydn
Mendelssohn
Mozart
Liszt
Prokofiev
Rachmaninoff
Ravel
Schubert
Schumann
Scriabin
All composers »
All composers
All pieces
Search pieces
Recommended Pieces
Audiovisual Study Tool
Instructive Editions
Recordings
PS Editions
Recent additions
Free piano sheet music
News & Articles
PS Magazine
News flash
New albums
Livestreams
Article index
Piano Forum
Resources
Music dictionary
E-books
Manuscripts
Links
Mobile
About
About PS
Help & FAQ
Contact
Forum rules
Pricing
Log in
Sign up
Piano Forum
Home
Help
Search
Piano Forum
»
Piano Board
»
Audition Room
»
Prokofiev - Sonata no.2 in d minor, op.14
Print
Pages: [
1
]
Go Down
Topic: Prokofiev - Sonata no.2 in d minor, op.14
(Read 7227 times)
andhow04
PS Silver Member
Sr. Member
Posts: 697
Prokofiev - Sonata no.2 in d minor, op.14
on: April 26, 2013, 02:45:00 AM
this is a live performance from recently of prokofiev's second sonata, a kind of unusual piece that was composed the same time as the second concerto, and dedicated to the same friend. it's a piece that has vexed me for some time as it is very difficult to play , and is maybe a little more abstract in the first and third movements than the music in his later sonatas. esp. the first mvmt.
the second and fourth movements are more instantly recognizable as prokofiev, in his scherzo and toccata styles. the second mvmt is what originally drew me to the piece, though the first is compelling, but hard to understand in my opinion.
the fourth movement has a fast run over the span of the keyboard in both hands unison, which almost never comes out cleanly. sandor's edition has a fingering that seems impossible to execute at tempo (i think he played it slower). i was slightly relieved to find 3 live recordings of richter, and in none of them does he himself play the run cleanly. but still, shouldn't we always strive higher?
i am curious to know what impressions you all have as it is a piece that doesn't settle well in the hands, and also invites a lot of interpretative freedom - meaning it could be good or really bad.
PS the concert series made the recording. dunno what equipement they used, and they just later sent me a digital file
Logged
My Audition Room Index
https://www.pianostreet.com/smf/index.php?topic=42331.0
Sign-up to post reply
Print
Pages: [
1
]
Go Up