Thank you all for listening, and for the nice comments! Glad to hear this comment on ornamentation in Couperin - it's all so sensitive, and perhaps more tricky to do on the modern piano in a way, though the piano also offers more possibilities. Nice to hear that the work on those details seems to be paying off!
And yes, the Gustavsson is for me a very successful mix of, like you say, somewhat different idioms - they all blend very well into a whole, I would say.
Thanks again for listening! Turns out I got another gig with the Hindemith piece in a month, will be fun to revive that one soon again.