And yes, the godowsky etudes are a complete hell to play.
tis trueself's self showed teacher the left hand version of 10-1teacher attempted to read/play it a bitthen silently cursed godowsky and his five flats (and teacher's got mad skillz )
Sorry that I can't rank them yet, but I'm just getting into the etudes myself (though I'm still struggling with Fant-Imp.). (As a side note, I LOVE Chopin!--notice my name? lol) Anyway, I'm starting with the Revolutionary Etude (no. 12). It's possibly the most well known of the etudes (especially for the general public), and it's wickedly fun to play (hehe, that sounded British!). Not that hard, either. Try the Revo. and let me know what you think (you can get the music online for free if you don't have a book). Good luck!Oh, and perhaps you could share with me how you mastered that devilish Fantasie-Impromptu? Thanks!Terry
self's self showed teacher the left hand version of 10-1
I still have to start with the Studies... so do you suggest to start with the op. 10 no. 12? I know it very well (as I know Chopin's opera in overall... I love Chopin too, he is the greatest piano composer ever) but I've always though it is one of the hardest of them, so not the right choice to approach Chopin's Etudes...Do you think it is a good choice instead? not so hard?Of course I would like to learn it, as it is one of my favourite Chopin's pieces...Greetings
Opus 10: 6, 9, 5, 12, 11, 3, 10, 8, 4, 7, 1, 2Opus 25: 3, 1, 2, 7, 9, 12, 5, 8, 10, 11, 4, 6
Or maybe:All 27 in order: (3 new etudes)2, 1, 3, 10/6, 10/9, 25/2, 25/1, 25/7 10/10, 10/12, 25/5, 10/8, 10/11, 25/3, 10/5, 10/3, 25/9, 10/4, 25/4, 25/10, 25/11, 25/12, 10/7, 25/8, 10/1, 10/2, 25/6
....I would have a better shot at winterwind than thirds....
Just a comment:My piano teacher says to learn this song and dont perform it for 7 years regardless of how good anybody is. Technically one might be ok learning this song, but I believe winter wind is the hardest etude to play technically and musically combined (IMO). Its a song you must play PERFECT in competition or the judges will hate you. However, when played extremely well, one would probably win.
And don't EVER call the "Winter Wind" Etude a song.
It is my opinion (and maybe not shared) that etude no. 12 (Revolutionary) isn't nearly as hard as some make it out to be. It does require a certain amount of hands separate work to get the left hand up to speed, but it contains no large jumps. Like I said, in my last post, I haven't played the other etudes yet so I can't compare them, but I think that no. 12 isn't nearly as hard as some say it is (if your left hand is agile). Like I said before, this is quite possibly the best known of his etudes and one of the best-sounding. I suggest that you try it and let me know what you think.Terry
What do you consider a large jump? I consider 2 and 1/2 octaves to be large jump, and 10.12 has many of these in the left hand of course pg.2, but I agree that the Revolutionary isn't that hard, I also think it would be a good first Chopin etude.- michael
I'm not "pro" at Chopin Etudes, I can play Black key and op 10 F minor etude, the F minor one without a lot of detail...But Thirds, ya lol they make my arm hurt thinking about them, and although Winter Wind may be harder musically in the end, it will be easier to get the notes right than 10/2 and 25/6...And one more thing, the op10 number 7 I think in C major, well not the first one in C major with arpeggios, but the other, I just tried first measure for fun, and how it is so hard to play!? People have been saying it's one of the easier etudes, saying they would play that one first, It looks to be one of the harder etudes, or is it one of those things, once you got the first mesure, the rest comes easier?
It's a ridiculously hard etude, no doubt, but I would put the 10/2 and 25/6 above it. Winter Wind is long, fast, and requires a variety of techniques to master. However, it isn't ridiculously more difficult than something like 10/12 or 10/8, which both have a chorded melody in one hand and then a fast accompanying part made up of scales and arpeggios, similar to 25/11. The only difference with 25/11 is that the harmony is significantly more awkawrd, and the pattern is even harder to see. 10/2 and 25/6 on the other hand, are ridiculous studies of technique that are intensely awkward and difficult. The right hand fingering of 10/2 is almost painful, which makes playing it at any respectable speed a huge undertaking. Just try playing chromatic thirds like the ones from 25/6 at any speed and you'll realize why it's so horrible. The piece is unrelenting, and it makes my arm hurt just thinking about it.I put 25/11 way up there, and I agree that it requires a lot of musical ability as well as technical, but I disagree that it is more difficult than all the others.
So you had no trouble at all learning how to play thirds at very fast speeds for several pages, crisp clear thirds? That just came to you like that? I... I don't understand how were thirds so easy to learn for you in different patterns?
I thought the worst as my teacher gave me 25/6, but actually, it isn't that difficult. It took me no more than 2 months to learn it. The 25/6 is very, very easy to memorize.