i went to see louis lortie playing chopin the other night, and it was quite good, except for the fact that he looked like chopin was the most emotionally painful thing to play- like it seriously looked like the barcarolle was just ripping him to pieces inside. and this bugged me, because i absolutely love the barcarolle, except i don't hear it as it being sad or painful in any way. so once again a concert pianist's facial expression got in my way. like seriously if i wanted to see some acting i'd go to the theatre. sure you know, piano is about expressing emotions, but i believe that it is the pianists job also not to interfere with the audience's interpretation of what they're hearing. i made this point in a series of artworks i produced for school, in how the the pianist attempts to convey what they want through the piece, and then the audience finishes their mental image of it themselves- in painting this, i avoided painting detailed faces so as not to distract the viewer from what i wanted the picture to be expressingm because if you mess the face up then the viewer isn't going to get your intentions anyway.
and so i go with this when watching pianists perform. i find that their facial expressions are obviously going with what they're feeling in that part of the piece, except if he/she's not successfully conveying that in the music, then it is a bit of a disappointment for the audience. maybe it's just me, cos i like to remain poker-faced sometimes in order to not give away my thoughts, but i think that musicians should move on from making bizarre facial expressions just to show the audience how connected with the music they are- if you are truely feeling anything then you should be capable of producing it through the notes and not your face.
i know we've discussed this topic at least once, but i want to know what others think of louis lortie's playing- i thought he could work on his tone a bit more, however the steinway was sounding a bit brassy (which was a surprise) so maybe that affected him?