I don't cry often. The only time I have had my tear ducts flow was when Zimerman came to play.
I don't know if you have heard Chopin B-flat Minor Sonata played live by him, but it is nothing like anything else I have ever heard or anything else ever played. His third movement was so passionate, moving, and beautiful that ...

If you have not had this experience, I would go overseas to hear it. I hope that you don't have to, though. The point of this is that virtuosity is essential, but it will not save you. Zimerman's power lies not in his flawless technique but in the power of his creation, exactly as Leucippus said. To play the piece is but to begin to harvest its power. As the judges of the Liszt Competition said, you must not only demonstrate the horse's power, speed, and fury, but you must awaken pathos for the unfortunate rider. You must bring out the feeling and make it true. And that, my friends, is exactly what I need to do, and that is what you need to do.
Thank you for allowing me to clarify my thoughts and put it into action, and thank you for reading,
Daniel
@oceansoul:
""Moonlight" Sonata, Op. 14, mv 1."
By Beethoven? That's Op. 27, No. 2 "Sonata quasi Fantasia."
P.S. Other similar music is Schumann KQuintett, Beethoven Op. 131 String Quartet in C# Minor. Wagner said that the String Quartet first movement was the saddest music ever written, and I defer to Wagner. The Schumann was written in the struggle of soul after his mother's death.
I look forward to hearing Mozart K.310