They prize uniformity, technical equality, evenness, and general conformity/ lack of individuality.
If you were in a choir these are the first thing they teach you. I'm sure the principles apply to chamber music as well. In ensemble playing you must strive for a cohesive interpretation, not 'individuality'.
What an amazing display! A conductor would kill for such uniformity and sense of common purpose in an orchestra of people that youn much less a piano ensemble. Piano being the ahrdest ensemble of all! The susuki method may have faults but in developing discipline and digital technique it dosent lack much. I have to say considering the probable ages of these girls most of them are giving school prizewinning level performances. maybe not higher but they have time to develop. The Suzuki books are desgined to take you from beginner to early advanced thoroughly and swiftly - they do! my teacher did however criticise the lack of reading skills that they tend to develop as he had lots of youngster come to him as head of a specialist music school who played with brilliant control and musicianship but who found reading a slow and difficult process. no method is perfect. ALL asian pianists DO NOT sound the same. Nor do all SUZUKI pianists. Talent always shines through even in the group setting but the method certainly does raise the standard of the whole group uniformally depends how the group is run! Listen to the Koreans in the Leeds final partic Sunwook Kim and also mr Song and folks like Howard Na... Asians but who make a very personal and very beautifull sound. Not all asians plays as badly as Lang Lang!!
Yeah, Asians all play the same. I wish I were Asian so I could do well in Math. Unfortunately I'm Jewish; my only consolation is control of the media and my vast stock of Jew-money.
What we need is a revival in 19th-century performance style. This is where dudes like Berezovsky come into play. We need playing with unabashed romanticism and balls.
Hey that's not so bad. I'm gay and Italian, so I have a huge dick and am a great pianist. I also like to kill people and put them in the trunk of my pink Ferrari.Since you're Jewish, you're a CPA- I need help with a W-4. Since I'm Italian, I only have illegal sources of income though.
Your topic is inflammatory at best, and racist at worst. If you want to gain insight into Chopin preludes, would you listen to Moiseiwitsch or Pollini?
Why couldn't they instead make a nice 10 piano arrangement, where they all played different parts?
Of course this is playing on the styleotype, but bear witness to how many asian schools of pianism practice-They prize uniformity, technical equality, evenness, and general conformity/ lack of individuality.
There also has been much dismissal of stereotypes by exaggerating them to absurdity -- Borat-style. However, I feel that stereotypes are often backed by truth. It is undeniable that Black people tend to be better endowed, the Jewish people tend to be richer, and Asian pianists more "boring." No one can deny such trends and those who do are too obsessed with being "politically correct." That said, stereotypes often lead to problems and racism. If you start judging an individual based on the stereotype, that's were the problem starts. By definition, steroetypes can only be made to a large sample size. Then, what purpose do steroetypes serve? Not much, really. But it sometimes can be convenient, or deadly and bigoted, depending on how you use it.
I know I've heard a majority of people other than Asians that "sound the same and have no individuality."
one of my favorite hungarian rhapsodies butchered by a swarm of blackhaired clones. It seems pointless to me, and does a huge disservice to Liszt (and music in general).
Of course this is playing on the styleotype
yes. bigotry against my own ethnicity. ...*cough* but youre right; that was a little unnecessary.see this is why most asian pianists suck so much. They think it's enough to learn the technical stuff first and then work on musicianship. My music teacher tells me all the time about older students he gets from Korea who have spent all their time learning to type, and when he tries to talk about appropriate rubato for the period, phrasing, or what the music actually means, they don't and can't understand. Ever. Everything must be done at the same time.Why? Childhood influences adulthood, shoenberg3. If you raise them to be clones, theyll be clones, and theres no other way about it.What do I expect of them when they are adults? They will be doctors, business people, or even lousy piano teachers who make their students play to a metronome throughout the whole piece (Josef Hofmann and Glenn Gould discuss how bad this is, btw).
This is so ridiculous. Let's end this crap right now.1. Great pianists need great talent. Wanting to be a great pianist and working 12 hours a day will not make you a great pianist. Some pianists are just more gifted than others.2. a Great pianists need great techniques. No kidding. Moiseiwitsch, Richter...etc all had complete mastery over the instrument. 2. b. Great pianists need great discipline, great instruction - or both. What's holding back Asian any pianists from achieving the "greatness" of the great 20th century masters? Nothing - except time, culture, and tradition. As I've said, I think that world culture is less piano oriented than it was a century ago, and as a result, much valuable tradition has been lost. Josef Hofmann redux is probably trading stocks in New York right now. Rachmaninov reincarnate? Operating on your heart. What's the deal with Asian pianists? As has been said, piano playing is a relatively new phenomenon in Asian countries and it's natural that the teaching practices will mature over time. ...and it should be noted that schoenberg3 is a really good pianist. Let's say for the sake of argument that he is as talented as Moiseiwitsch. Moiseiwitsh did not study for SATs, APs, IBs, or advanced mathematics for the prospective medical practices dweeb. . Benno knew from really early on that his life's calling was the concert performer. It's all about opportunity cost. I suspect schoenberg3 is in the same situation as many other talented young pianists today. We just don't live in the 19th century anymore....Though I'll admit I can tolerate saps like Kissin if it means not being crippled by polio at age 4.