This was a hard decision for me. Hearing Liszt for the first time changed what I thought was possible with music, both in soundscape and emotional expression. I consider myself to be kind of ethereal, so my fascination for Liszt has always perplexed me. I'm a fan of his lyricism, with many of his melodies being ear worms for me (the only piece I've learned by him is one of his lieder). There are several etudes that I love. Ricordanza and Chasse-Neige with their memorable melodies, Feux-Follets as an extraordinarily inventive piece, Vision as one of the more successful arpeggio-pieces I've heard until Ravel. But it's number two for me that holds a special magic for me. I've always associated it with some kind of nocturnal magic--playing with something dark, but also stressing a kind of impish fun, balancing dark and light, menace and excitement.