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The World of Piano Competitions – New Issue

As a collaborating partner Piano Street is proud to present the second issue of The World of Piano Competitions, a new magazine initiated by PIANIST Magazine (Netherlands and Germany) and its Editor-in-Chief Eric Schoones. Here we get a rich insight into the world of international piano competitions through the eyes of its producers and participants.

Click cover to download:

Contributing Editors: Akemi Alink, Gustav Alink (Alink-Argerich Foundation), Stuart Isacoff, Ken Iisaka, Jeremy Nicholas, David Warn (Piano Street)

Free download!

Piano Street is happy to share the second issue of WOPC with our readers free of charge: The-World-of-Piano-Competitions-issue-2-2019.pdf

Content

Gustav Alink reports
14 Tchaikovsky International Music Competition, Moscow
36 First China International Music Competition, Beijing
38 Top of the World Competition, Tromsø
41 Piano Talents Competition in Milano
43 The Nordic Piano Competition, Arvika

Interviews
21 A directors view: Henryk Martenka
25 A teachers view: Julia Mustonen-Dahlkvist
35 One to watch: Aristo Sham

In Profile
7 The ARD International Music Competition
17 Queen Elisabeth Competition, Brussels
17 Rencontres Internationales de Jeunes Pianistes
31 International German Piano Award
45 International Telekom Beethoven Competition Bonn
45 The International Schubert Competition Dortmund

Behind the Scenes
10 WFIMC – The Ecosystem of Classical Music
22 Alink-Argerich Foundation Jubilee
26 Confessions of a Piano Juror
32 Sight vs. Sound
48 Room for improvement

The Instrument
13 C. Bechstein and competitions
19 Steinway @ Competitions
29 Fazioli Pianos on Stage
47 The Chris Maene Straight Strung Grand Piano


Background

The piano enjoys a tremendous popularity worldwide and has the universal quality to be able to communicate through cultures, history and geographical borders. The value of piano competitions cannot be overestimated in terms of focus on the piano as an instrument and piano playing. The competition industry engages a multiplicity of concerns including hi-end piano manufacturing, media coverage and broadcast, repertoire spotlight and pedagogy, concert and lecture production and not least, career opportunity and exposure for laureates and non-laureates. All this contributes to a richer cultural life and can powerfully promote the aim we all share: to spread the joy and riches of the art of piano playing.

”Piano music, especially live, is incomparable and can be a great source of joy for players and listeners. We all should strive to allow as many people benefit from it as possible. For that, this edition of The World of Piano Competition is an excellent form of encouragement. I hope its message spreads widely! I wish everyone much joy reading it and, later on, attending a concert!”
— Guido Zimmermann, President Steinway & Sons Europe

THE WORLD OF PIANO COMPETITIONS
is published twice a year by PIANIST, as a part of the regular edition, and also worldwide as a separate magazine.

PIANIST (regular edition) is published four times a year in Germany, Austria, Switzerland, Luxemburg, Liechtenstein, the Netherlands and Belgium.
www.pianist-magazin.de
www.pianistmagazine.nl


/nilsjohan

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