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Difficulty of Various Etudes
Poll
Which of the following etudes are technically the most demanding? Choose the TWO you think are most difficult.
Chopin, 25/10 (octaves)
Chopin, 25/12 (ocean)
Liszt, TE nr. 10 (appassionata)
Liszt, TE nr. 11 (harmonies du soir)
Liszt, TE nr. 12 (chasse-neige)
Liszt, Un Sospiro
Liszt, Waldesrauschen
Liszt, Gnomenreigen
Liszt, La Campanella
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Topic: Difficulty of Various Etudes
(Read 7398 times)
cloches_de_geneve
PS Silver Member
Sr. Member
Posts: 439
Difficulty of Various Etudes
on: August 27, 2006, 10:01:40 AM
I would like to pick a couple of those and would appreciate any comments on these pieces by members that played them. Thanks.
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"It's true that I've driven through a number of red lights on occasion, but on the other hand I've stopped at a lot of green ones but never gotten credit for it." -- Glenn Gould
Paganini Etudes by Liszt
Transcendental Etudes after Paganini by Liszt
Transcendental Etudes by Liszt
Etude in 12 Exercises by Liszt
12 Grand Etudes by Liszt
Etudes by Chopin
donjuan
PS Silver Member
Sr. Member
Posts: 3139
Re: Difficulty of Various Etudes
Reply #1 on: August 30, 2006, 05:21:29 AM
Un sospiro was the first piece of Liszt that I played. It was very comfortable to play; the only parts I struggled with were the cadenzas because I hadn't played any Liszt cadenzas beforehand. I thought it was very fun to learn and perform this piece --> everyone loves it!
I voted for Chasse-Neige and La Campanella, because tremolos are difficult to control. La Campanella doesnt look that bad, but then I imagine trying to look confident while performing it, and then I feel weak.
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dnephi
Sr. Member
Posts: 1859
Re: Difficulty of Various Etudes
Reply #2 on: August 30, 2006, 12:30:11 PM
Do you have a teacher? Your teacher would know your individual strengths and weaknesses and would be able to help you choose one.
Chasse-Neige is really hard and so is Campanella, but if you put your weight into the keys and do rotations, even 45 trills aren't so bad.
La Campanella, I read, is the least valuable, musically, of the paganini Etudes.
I think Appassionata is an incredible piece, but to do it justice would be, I think, harder than most of the others. The same would go for the Op. 25 No. 12.
I believe Un Sospiro fits well under the fingers.
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For us musicians, the music of Beethoven is the pillar of fire and cloud of mist which guided the Israelites through the desert. (Roughly quoted, Franz Liszt.)
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