And i miss littletune, too. . And wolfi. And costicina and enrique...
Where's ajspiano? Off getting married and making photogenic babies? Or maybe rach babies/concerto and other crazy music while getting married? I remember that was mentioned, so I wanted to send good wishes! Hopefully it is just the good things happening, and nothin' other!
I got married on the 4th of may. The force was with me.
which in turn made me cry in front of everyone (in a good way)..
Ya big sook.
a bit of an extended dominant 7 build up just before, then there was like a suspended kind of plagal cadence to finish right as she got to be in front of me...
I got married on the 4th of may. The force was with me.My bride had secretly written/rehearsed a song with the guitarist from the band. She dragged me out in front of everyone during her speech and sang to me.. which in turn made me cry in front of everyone (in a good way)..
That picture looks like it could be an add for something.
Our photographer was a freaking boss. She's like the yuja wang of wedding photography or something, has international awards and such.. it was seriously fun doing the photos, can't wait to see them in a couple of weeks, that's the only one we have seen so far.
That is awesome! You guys are lucky to have each other! Congrats once more! Unkess you have answers to my mazeppa questions, what u doin on here? go serenade the bride, dude!
first on the liszt. Ha.
hahah indeed. Its not so bad really. Heaps of people cried at our wedding.. must have been a truly horrible experience for them.I recorded my own arrangement of the pachelbel canon for the bridal procession, which was announced as being my playing by the celebrant at the start of the ceremony - so I think 95% of the female guests were a bit teary from the very start.It did me over to.. Bel insisted that we time everything out, and build the music up as each bridesmaid came in.. so the music climaxed perfectly as she entered the chapel, with a bit of an extended dominant 7 build up just before, then there was like a suspended kind of plagal cadence to finish right as she got to be in front of me... at least I think the ending worked out properly - Its a bit of a mental blank for me to be honest.. it worked at the rehearsal.
No. ms left hand. Then the next two groups md right hand.
Sweet! Thank y'all! That's what I was assuming but was unsure. Birba, you play this? Anyone have a pdf with good fingering for this?
That 42 24 42 fingering was dictated by Liszt himself as part of the etude, the purpose being to more accurately mimic a galloping horse. Mess with it at your own peril.
No! The first group with left hand. The next two groups with the right hand. Using the 42-31 fingering. But making the whole thing SOUND like you're alternating hands playing with the 24 fingering on all the two-note chords. That is, very detached. And like a galloping horse, like jmenz says.
NOOOOOOOOOO the Diva is doing her recital on the same day as me!!!Is she trying to smash me on purpose?!Time for some hard core advertising...
Good for you if you can do it. It's that leap in the left hand after the third group that's a female dog. That's why i suggested you do it with the rh. Where the leap isn't as great.
Its not too bad if you find a tempo that you can make the jump and go a little faster to practice not looking for it nut just going for it. Also I forgot what mu teacher told me. Never practice this stuff full volume. It is waaay easier to play faster and do the jumps if you practice quietly and lightly!
If the goal is to simulate a galloping horse then they shouldn't be perfectly even. A gallop is not a gait, it's just a natural run which will be uneven.
. It is waaay easier to play faster and do the jumps if you practice quietly and lightly!
Chopin op.48 no.1 is unplayable.
Nonsense. Occasionally it is, you just have to be in the right mood. Like after you've been burgled.
i know that lovely recording. In effect, he plays it "playably". He doesn't do the third part doppio tempo and it doesn't have that agitato feeling. If you're going to play it at speed it can't be piano. Even pollini said that. But rubenstein and all the greats were never sticklers for the written page. Arrau, who was a stickler, however, plays it at tempo. It is agitato, and i like i that way. But, of course, it's forte.