Plus, the highest form of winning is humbling a lazy musician with inferior discipline and ears.
Okay...B flat 9th I suspect with G on top, B7 but I think it has a D and G on topC minor 7th with G on topC#m 7th with a flattened 5th, G on top againD7 with F sharp on topEb9 I suspect with D flat on topE7 but with an F sharp as well, D on topF7 with E flat on topF#7 and I think there's a G sharp in there as well, E on topG7 but there's an E flat in there, so god knows what you call that chord with an F on top.
Now bow down at my awesome golden ear and don't bother me for a week.
Take your muddy ears and listen to some Sxrxbjx.
No, I'm really not being snarky....you clearly have a very particular set of skills, that serve you well. You might find it interesting to know the canonical, standard way to use shorthand notation in a kind of jazz-pop idiom for chords with altered extensions. Anyway, it's not advanced theory, just some common simple conventions in notation.
I mean, what would you call a chord say using the notes C, Eb, G, B, DbI suspect it's a CmM7b9 (I could be wrong)...I mean - that just looks *** disgusting... just put the notes on the score and I'll be able to read them fine.
Well, it's also kind of a nasty sounding chord. I'm just imagining with my inner ear how probably sounds, as well as what kind of role it might play in a harmonic context.My first thought on seeing that enormity is to think, "OK, so what chord is the composer actually intending, since it sounds like hot garbage as a CmM7 chord! A kind of heavily altered F7 chord, maybe. Or, sure, an Eb13 chord!"It doesn't work for me as a CmMaj7 chord, though. The hypothetical "composer" probably was trying to superimpose a second-inversion Db+5 triad on top of a Cm triad, with the 11th of the Cm chord being implicit but unstated as the major third of the Db+ triad.
Just relax, lie back, and ease into the likelihood that you shan't be winning this thread! I'll be gentle, but firm.
Well... we all imagine having molten lead squirt out from our nether regions... don't we?
Yes.That, or this:
Is that your dream??? To stand around luxurious parties like some human water feature, pissing out peated scotch out of your willie???
Yes.
Know
Maybe sow?
Let's try this and hope it works. I've already chosen the 12 threads I need to hide this, and if it doesn't work, we can at least see how long it lasts.
I think Nilsjohan may be the only person who can truly win at this game - but I'LL BE DAMNED TO LOSE...
I see perfect_pitch has gotten much more confident about this over time.
No he hasn't.
.. REALLY CONFIDENT!!!
So loud, why so loud, that's loud, not aloud, not allowed.
That was pitiful.
She did the same damn sketch with an egg that can't be opened because the egg slice fell on the floor.
You could write lyrics for a Wesley Willis tribute band, with sentences like that.Keep going! Keep the flow!
Yoghurt is over-rated... and sadly enough so is Catherine Tate in my opinion.
1) I would never debase myself in writing such filth for someone like Wesley Willis or any resemblance of a tribute band...
Give it time. It'll happen. We believe in you!
You can be a waitee... but not a waiter.
Well, maybe you can't. I'm starting to think you only speak Strine, not the King's. [/font]
If people have to complain about this, look at my amazing lines:So loud, why so loud, that's loud, not loud, not loud, too loud.So loud so loud so loud. Loud. Loud. Loud loud loud loudl ldudljdo.Not aloud. Why so loud. Not aloud. Not allowed. Allowe dl alwloewd wloaoleoowldowldlwoeldnot allowed not aloud not aloweid alod aod ododododoododododododododsodsodsodo.ihuihugiuewagliugewwiuleiuheghilgeehuilgehebklzbkjglxsdnmkbxEnd.
See kids - this is why you stay away from drugs.
Did you know an anagram for Rehabilitations is: I hate Libations. Kind of ironic.